A little more than 40 years ago, I was home from school and living in an apartment in Westwood. I didn’t see my brother – who was also in Los Angeles that summer, freshly graduated from Yale – very often; but when I did or when we spoke over the phone, we would...
Picture as Primary Object – Sarah Charlesworth: Doubleworld
As we move forward into 2018, we recognize a bit more concretely how our experiences in 2017 and immediately prior influenced and began to reshape our perception of the larger (and certainly the political) world. This is nothing new. Radical cultural change (or its...
Imitation of Life: Really? (group show curated by Beth Rudin DeWoody)
Picasso knew what he was up against – literally. He pasted it into his art, more or less inventing collage in the process. He (along with a few of his other Cubist colleagues) also played with trompe l’oeil, but he understood this wasn’t the same thing – a device...
Walton Ford’s Natural History for California Dreamers
I’ve always thought the human preoccupation with borders and perimeters had more to do with its relationship with animal wildlife (not that humans have ever exactly been ‘tame’). I realize I’m speaking a bit off the top of my head – I’ve never done any serious...
Season of the Witch (1) – Hecate
I’m thinking about family albums right now – not something that comes to mind very often (and now I’m wondering if this is the first time I’ve ever considered this). I suppose this could also be something captured and stored digitally – but for some reason, it doesn’t...
Engender (group show curated by Joshua Friedman) – Kohn Gallery
What are the contours of gender? Is there a range of conditions that determine gender along a curve or spectrum we can visualize or somehow represent, measure or analyze? Is there a focal point we can identify that will turn it in one direction or another? Most of us...
Coming Down From Machu Picchu – or – the Afterglow
So I was on the phone with my pal Mary the other day and we were talking about how, between our respective work deadlines and obligations, and taking care of our quadruped loved ones, we essentially never went out anymore. “I mean it’s not as if we’ll ever catch up on...
Moving Shadows, Constant Stars – Young Caesar
Young Caesar is born of a certain moment – a definably Californian, forward- and global-looking moment. In Lou Harrison’s music and the awkwardly framed conceits of its libretto by Robert Gordon, there is yearning, rather than the ‘ambition’ we might associate with...
Oedipus Wrecked – The Town Hall Affair
It says something that you need not one, but two actors to play Norman Mailer in a performance that places him at the center of a cultural moment he could hardly have held without the connivance of a media machinery he had masterfully charmed and manipulated for...
Strangers On A Train – The Abduction From the Seraglio
The Los Angeles Opera’s co-production of Mozart’s The Abduction From the Seraglio (Die Entführung aus dem Serail), which closed February 19th, updated the action of this singspiel from its original mid- to late-18th century Ottoman Turkish setting, when the Ottoman...
My Favorite Nazi
They gaze at us with supreme confidence. They are gods after all, aren’t they? Or leaders certainly – leaders of men. That is to say, soldiers – and they are all men, though anatomical details beyond the head are concealed beneath those often strikingly well-tailored...
Sometime between the morning of November 9th and the current holiday season, there was an interruption in the more or less weekly postings in this space. It’s not like it’s never happened before. I do drop out of sight now and again; and there are those intervals when...
Home Is Where the Horror Is – Guillermo del Toro (2)
It’s Halloween and it’s about time I finished my walk-through of Guillermo del Toro’s reconfigured ‘Bleak House’ home/office/inspiration space in the Art of the Americas Building at LACMA. What, after all, could have been keeping me so long? Maybe I simply needed a...
Weightless line, transparent plane, unbroken horizon, and the constructive dilemma: the art of Brian Rea
You probably know Brian Rea’s work even if you’re not familiar with his name. In fact, it’s probable that you do know his name by now because his illustrations seem to be almost everywhere from book jackets and frontispieces to half the magazines you pick up, and even...
Gun Crazy: Playing with fire at Liz’s Loft
Let me just start by applauding Liz Gordon and her team for the bravado and sheer celebration of mounting a show titled, Guns, in the current political environment. I was about to say ‘contentious’ – but there’s really nothing contentious (or new) about it. Guns are...
‘Are the stars out tonight?’ Harmonic convergence for a new art season
The beginning of another arts and culture season also marks a point where we really start to feel the impact of everything we’ve been experiencing over the preceding orbital/calendar year and start to take its measure. Events move swiftly; you can feel as if you’re...
Sexy Beast: A Benefit for Planned Parenthood Los Angeles
It’s the first post-Labor Day week-end and we’re approaching mid-September, which means one thing in Los Angeles (and New York, too, I guess – as we head into Fashion Week) – the start of the new arts and entertainment season. LACMA just unveiled an elegant exhibition...
No More Parties In L.A. – Kanye West Crashes Into the Art World
I have a confession. At some point between Graduation and 2010 or 2011 (whenever he last recorded with Katy Perry), I lost track of Kanye West. Yes, of course I was peripherally aware of what he might be doing, whether in terms of his own planned record releases or...