• Judith Linhares


      Via her expressionistic brush, Judith Linhares teases latent absurdity and uncanniness from hackneyed pictorial genres. Female nudes, sublime landscapes, exotic animals and floral still lifes are jumbled and transposed into worlds of outré wildness. The Pasadena-born, New York-based artist is best known for figure paintings that have influenced younger notables; but the newest works in Linhares’ current show at Various Small Fires evince that she depicts inanimate objects and animated creatures with equal aplomb. It’s hard to imagine a humble plate of corn on the cob painted with as much frenetic pizzazz as Stack (2017). Nor is it easy to remember a bottle of liquid dish detergent ever looking so creepily silly as Joy (2017), whose banality belies its superficial titular assertion of happiness. In her figure paintings, Linhares honors the timeworn tradition of portraying au naturel women in nature. But her frolicking female protagonists appear as though enjoying themselves considerably more than the confrontational girls of Picasso’s Les Demoiselles d’Avignon (1907), or the stultified lady in Manet’s Luncheon on the Grass (1863). Instead of posing, Linhares’ impish women picnic, recline, climb trees, dig, roll logs, and play with tigers inside alien dreamscapes that they seem to have commandeered. In Cove (2010, pictured above), fruits parade as planets while a tablecloth mysteriously enshrouds a lurking figure that evokes a foreboding mood enhanced by Linhares’ expressionism and her rakish subjects’ brooding expressions. These sportive dames appear cognizant of their expropriated liberty’s precariousness.


      Various Small Fires
      812 North Highland Ave.
      Los Angeles, CA 90038
      Show runs through Feb. 24

  • Recent Articles

    Laura London, Environmental Fires Sunset, Downtown Los Angeles, June 4, 2016

    Code Orange

    March/April Submissions; Deadline Feb 2, 2018

    CODE ORANGE is a new Artillery feature, a web-based, issue-oriented photography contest curated by LA artist and photographer Laura London. Winning entries will be published…
    Read Article
    Opening night at last year’s LA Art Show.
Photos by Lynda Burdick.


    Fair News; Getty; Pacific Asia Museum; Comings & Goings; Women's March

    Fair News January is fair month in our fair city. The LA Art Show (Jan. 10–14) in all its massiveness returns to the Convention Center…
    Read Article
    Norman Rockwell, Shuffleton’s Barbershop, 1950


    Selling the Crown Jewels: Norman Rockwell

    Although I’m not a big fan of Norman Rockwell’s artwork, a painting of his caught my eye after becoming the centerpiece of a controversy that…
    Read Article
    Page from Crap Hound #5: Hands, Hearts & Eyes, 1996


    Sean Tejaratchi's Liartown!

    This whole end-of-net-neutrality panic is a bit of a mystery to me. Sure, it sucks, but what were people expecting? That businessmen would suddenly do…
    Read Article


    Incredibly Layered

    Galleries usually just send you their press releases, but sometimes you get them from a whole PR firm. I’m on this firm’s list now, and…
    Read Article
    Bill Sheehy, photo by Eric Minh Swenson


    Bill Sheehy

    Bill Sheehy is the director of Latin American Masters, which he founded in 1987.   What led you to exhibit only Latin-American artists? Do you…
    Read Article
    Wait until you see our teeth!


    The Lure: The Sum of its Parts

    If you happen to be looking for a textbook example of film as collaborative art, a special feature on the DVD of The Lure might…
    Read Article
    Piero Manzoni, Artist’s Shit (Merda d’artista), 1961.


    Etiquette for Artful Living

    DIFFICULT SUBJECT MATTER DEAR BABS: In my art practice, I gravitate toward using ephemeral media and creating installations. Sometimes my work deals with “difficult” subject…
    Read Article


    Parent at Art Opening, Hammer Museum, Los Angeles, 2013.

    Read Article
    COMICS: Icono Clast

    COMICS: Icono Clast

    The Exciting Game of Art Vandalism

    Read Article