SoCal’s Museums Museums have been shut down (again), which doesn’t effect the city of Los Angeles too much as museums weren’t reopened except for a very short week or so. Neither LACMA nor the Hammer ever reopened after mid-March shutdowns and, alas, the...
In last issue’s column I discussed the influence of the Woke movement in shaking up stodgy art museums to diversify their staff and fill gaps in their collections caused by decades of turning a blind eye to artwork made by minorities and women. Sure enough, a backlash...
Artists can make the invisible become visible, but that doesn’t mean they have to. Photographers in particular find it necessary to provide visual confirmation of a chosen moment; in the case of some Pulitzer Prize winners, their captured image has become the official...
Congratulations to our winner Sarah Plenge and our finalists. Plenge's photo is seen above and first in our photo gallery in the January/February online issue of Artillery. The following photographs are the finalists. Please see the info below on how to enter for our...
Fifty years ago, when the Manson murders were daily headline news, the reporting emphasized anything that might pass for “hippie behavior,” while playing down Manson’s intended goal to start a race war. The dog-whistling, race-based law and order tropes of politicians...
I got to know James Welling over a decade ago when he invited me to teach a graduate seminar in the history of photography at UCLA’s Broad School of the Arts, where he was the director of the photography program. His own photography was a mystery to me then, as it...
Imagine That for YC By klipschutz Rachel Cusk flies first class and drives a hybrid. Waiting at the bus stop I raise my hand. If I change the names is it fiction? What if I keep the names and make up lies? Or is that like saying it’s a poem if it...
Dear Babs, I’m a young artist a few years out of grad school. Recently my dad’s close friend asked if he could buy a painting I made about America’s racist prison industrial complex. In the spirit of transparency, he told me he planned to give it as a gift to an old...
Curatorial work began on the fifth biennial in the “Made in L.A.” series long before March 2020, and it might be March 2021 before audiences can see it in its entirety. Yet so emphatic is the exhibition’s insistence on the physical embodiment of ideas, the political...
Kevin Duffy is an LA-based actor, filmmaker and writer, who recently performed in Refracted Theater Company’s Homeless Garden—a reimagination of Anton Chekhov’s The Cherry Orchard set in present-day where climate change and politics coincide. The play was performed...
Kader Attia’s debut with Regen Projects —a selection of previously exhibited and new works—continues the French-Algerian artist’s critique of modernity as embodied by Western capitalism and the mechanisms and ideologies of colonialism. Attia has frequently examined...
This exhibition is simply horrible: a catalog of horrors, a parade of barbarism made all the more wretched because we have become inured to atrocity, our attention spans irredeemably vaporous. It is both commonplace and theatrical, a fleetingly addictive...
While Rachel Rosenthal is best known for her performance work, the collage works on display in “Thanks: Collage Works from the 1970s,” with their aged surfaces and intersecting themes, reveal an artist whose force of sentiment is firmly grounded and luxuriously...
With “Metamorphosis,” Southern California-based artist Yolanda González offers a haunting solo show of monochrome images powerful enough to overwhelm any technicolor image. Her original “Metamorphosis” series, an experimental series she began in 1995, was created...
The existence of an “edge,” a precipice, an ever-deepening chasm, a transitional space from one reality into the next—be it from spring to summer, enslavement to freedom, life to death—involves a commitment to a new beginning, an awakening of sorts into an alternate...
Adam Pendleton’s first solo exhibition at David Kordansky Gallery unfolds across three exhibition spaces and invites viewers to engage with the different aspects of his unusual and critical practice. Large black-and-white paintings with the repeated phrase “WE ARE...
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