Articles

Finding a Place (for art) in Skid Row
The LA Poverty Department and The Box Gallery

The Skid Row neighborhood of Downtown Los Angeles remains emblematic of the city’s ongoing epidemic of housing deprivation. More than 66,400 people were estimated to wake up each morning without stable housing in LA County as of LA Homeless Services Authority’s annual January count—even before the disastrous economic effects of COVID. While city officials call this recent wave a crisis,...

Decoder
Just Give Me the Minimum

by Zak Smith

I don’t want to paint anymore. I want to go to a big gallery or a museum. It doesn’t even need a roof anymore—I would go to a courtyard at this point. Not a nice one, necessarily; it can have one end open to a field of that grass that precedes that kind of boring line of trees that screens an exurban stretch of one-car-per-three-minutes interstate. It can have the interstate, even, if it’s just...

Spiraling at Casa Orgánica
Javier Senosiain's Architectural Oasis in Mexico

by Avery Wheless

If a structure could imitate warmth and humanity, linking the innate wonder of nature to one’s need to inhibit it, Casa Orgánica by architect Javier Senosiain is it. Built in 1984 in Naucalpan, Mexico, Casa Orgánica was the first organic project of the architect and also his family home for over twenty-five years. Within each room, one is transported...

Photographers of Democracy: Part Two
Elections by Jeff Jacobson, Callie Shell, David Burnett, and more.

by Lara Jo Regan

“A national political campaign is better than the best circus ever heard of, with a mass baptism and a couple of hangings thrown in.” –H.L. Mencken At no time in history is the character of a nation brought into more vivid relief than during elections. And no medium illuminates its current moral complexion - warts and all – with more affect and clarity than photography, the visual language of...

High Anxiety: A Conversation with Karen Finley

by Ezrha Jean Black

I have an ongoing conversation with Karen Finley that operates on several levels, one of which is simply her public conversation; i.e., the level on which her work has made its enduring imprint on the culture and more specifically the phenomenon of cultural trauma. Our “live” conversation has been going on since 2015, around the time of her The Jackie Look performances in LA and the companion...

Alex Anderson: Just Like Gold
Just Like Gold

by Scarlet Cheng

It takes a lot of guts to title your solo show “Little Black Boy Makes Imperial Porcelains,” and then it takes a lot of talent to pull off a show with that loaded marquee. Alex Anderson managed to do just that at Gavlak gallery this summer, in a show (March 14–July 11) featuring ceramic sculpture that reached exquisite levels of refined form but also delivered the punch of timely content....

Marie Thibeault: Views of the Harbor

by Liz Goldner

When I first saw Marie Thibeault’s hybrid landscapes that merge abstraction with representational figures, I was struck by her bold use of color and unusual iconography, in which organic and industrial shapes are combined, many inspired by the Port of Los Angeles near her home. While the underpinnings of her work suggest eco-destruction amidst the natural environment, her completed paintings...

Joanna Beray Ingco
Swallowed and Surrounded

by Zak Smith

We’ll be hearing for years and maybe decades about how the pandemic affected the lives of all the artists we’re used to hearing about but the crisis is going to have far deeper and more far-ranging effects on the art world than what we’ll be able to read on the scrubbed surfaces of monographs and profiles. To help with the effort to take stock of the wider picture, I talked to an emerging...

Chaédria LaBouvier
How Museums Can Do Better

by Bianca Collins

Chaédria LaBouvier is the Guggenheim’s first Black curator, first Black woman to curate a Guggenheim exhibition, first Black author of a Guggenheim catalog, first curator of Cuban descent and, at age 33, the youngest independent curator to organize an exhibition in the lauded fine-art mecca. Her blockbuster 2019 exhibition for the Guggenheim, "Defacement: The Untold Story,” was centered around a...

Todd Gray
Diary in Fragments

by Max King Cap

Guggenheim Fellow and native Angeleno Todd Gray is a visual artist whose work is in the collections of MOCA, LACMA, the Whitney, and the Studio Museum in Harlem. While mostly photo-based he also presents performance works; that is how we first met and collaborated. We recently spoke over the phone for a couple of hours, talking about food and his career, in no particular order. AUGUST 2020: The...

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Reviews

GALLERY ROUNDS: Terri Friedman
Shoshana Wayne Gallery

Terri Friedman’s wonderful woven tapestries are on display in “tomorrow is just a thought,” the artist’s solo exhibition at Shoshana Wayne Gallery. Friedman has been creating her "yarn paintings"—applying formal principals of color, shape, and texture to her...

Poncili Creación: No limits, no bounds—only possibilities
Hauser & Wirth

Poncili Creación is in LA, preparing to take us by storm with the glory of trash at Hauser & Wirth Los Angeles. In advance of their November 11 performance, Our Name is Moving, I took part in their creative workshop POSSIBILITIES OF MATTER and sat with them for an...

GALLERY ROUNDS: Julian Charrière
Sean Kelly, Los Angeles

Julian Charrière is a Berlin-based artist whose work often focuses on nature, ecology and the changing climate. For his first Los Angeles exhibit at Sean Kelly, “Buried Sunshine”, Charrière was drawn to the subject of oil and researched the history and photographed...

PEER REVIEW
Matthew Rosenquist on Pat Phillips

Raised in and around Washington DC, with two degrees in painting, Matthew Rosenquist now makes sculptures, albeit with some paint applied. How did that happen? I ask him. After grad school in the South, he took an entry-level job at the Smithsonian with duties that...

“Nonmemory”
Hauser & Wirth

“Nonmemory,” for the artist Mike Kelley, was something akin to his notorious usage of the “uncanny,” a theory borrowed from Freud wherein repressed memories emerge into disturbing feelings. In nonmemory, however, what has been forgotten stays so, and recollection is...

Deana Lawson
David Kordansky Gallery

While Deana Lawson is known for her individual, staged photographs depicting African-Americans communities in interior and exterior environs, she also conceptualizes the entirety of her presentations, which often include casual snapshots displayed as collages. In...

Steve McQueen
Marian Goodman Los Angeles

Steve McQueen combines his filmmaker’s sense of scale, drama and cinematic history with his artist’s sensibility in Sunshine State (2022), a work of visceral impact and pointed message that is also rich in nuance, symbolism, connection, contradiction and emotion....

Kim Jones
The Box

The opening for Kim Jones’ exhibition had a kind of homecoming spirit, reflected in its title, “Walking Home.” Several of Jones’ first post-graduate performance pieces in the 1970s were marathon “walks” between various landmarks in Los Angeles, performed in the...

Duke Riley
Charlie James Gallery

“Humankind cannot bear very much reality,” remarked the poet who gave us The Wasteland, T.S. Eliot. The observation supports the standard explanation for the failings of our species to adequately address the climate crisis, the scope and scale of which are too...

Abel Guzmán
la BEAST Gallery

Religious parochial dogma is often fraught with pedagogical conflicts in the spheres of doctrine, institutional curricula and, unsurprisingly—queer identity. Overlay these ideologies with Mexican-American cultural norms and concomitant conventions of masculinity, and...

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