Articles
Taisha Paggett Emphasizes Experience
Bodies are complicated. Choosing to work with the body as an artistic material complicates its complications. The resulting nest, where taisha paggett settles in to practice, can be thick and sticky. Paggett has grappled with the ways identity and environment are...
The Postconceptual Multimedia
Is fashion the medium of the moment? I’m not talking about haute couture or luxury ready-to-wear fashion design. Since the ascendance of Conceptualism, the means of fabrication have been more or less beside the point in fine art; and so it would be here. This isn’t...
Linda Vallejo Paints a New Color Scheme
“I’m a hypocrite,” Linda Vallejo says, referring to her latest series “Make ’Em All Mexican.” “I grew up on Fred Flintstone and Frank Sinatra. I’m all American.” She adds, “I think we are all hypocrites in one way or another. We all have our prejudices and judge each...
Conception to Resolution
Ross Rudel’s art has haunted my consciousness for a few years now. Encountering occasional works of his in group shows throughout Los Angeles, I would find myself consistently drawn in and hypnotized by what felt like a quiet, faraway presence filled with hidden potency. The LA–based artist’s sculptures and performances, carefully crafted and often employing found objects, exude deep mystery and deep purpose. Why does this work—sometimes so slight and minimal as to be barely noticeable in the gallery—have so much resonance? Where does this strange energy come from?
Eastern Exposure
“There is no one authentic way to present Asian art and culture,” according to Christina Yu Yu, who was recently appointed as director of the USC Pacific Asia Museum in Pasadena, California. “Once you take a piece of art and place it in a case with a spotlight,” she explains, “you remove it from its original context.” Yu well understands the importance of context. Born in Wuhan in China’s Hubei province, she came to the United States as a student and trained in Asian art history here in the West. It was while in the U.S. that she began to appreciate the art of her own culture. “Sometimes it takes distance” she admits, “to learn about where you are really from.” Her point of view, both Eastern and Western, as well as her academic and professional background place her in a unique position to lead a museum of Asian art in the greater Los Angeles area, where, despite a growing population of transplanted Asians like herself, the art of the East is not widely appreciated.
Cool Night
When I arrive at Night Gallery to meet gallerists Mieke Marple and Davida Nemeroff, behind the front desk are champagne bottles and other artifacts leftover from “Sexy Beast,” the Planned Parenthood Los Angeles (PPLA) benefit/art auction. The event, which took place...
Stoner: Elizabeth Turk
Elizabeth Turk transforms huge blocks of marble into refined sculptures, pieces that display classical beauty and technical virtuosity. Observing the graceful artist at work in her studio in a Santa Ana marble yard—wearing ear protectors, safety glasses and padded...
PRIVATE EYE
When Kai Loebach emigrated to Los Angeles 27 years ago, after a brief vacation during which he was blown away by the friendliness of the people and the “visual orgasm” of a clean-as-new supermarket in the San Fernando Valley, he knew no one, had no place to stay and...
Field Report: Hong Kong
Once a city on the margins of the art world, Hong Kong now sits center stage, boasting the world’s third-largest art market. A wealth of galleries, museums and art centers can be found on either side of Victoria Harbor, which separates the commercial center, Hong Kong...
Los Angeles Fall Openings 2014
"We were everywhere during the Fall Opening Season of the Los Angeles Art world. The 20th anniversary of ACME gallery, Chinatown, Beverly Hills, Culver City...we were there!" From Los Angeles Fall Openings 2014. Posted by Artillery Magazine on 11/04/2014 (27 items)...
AVANT-GARDE BASH with Kenny Scharf
"OCMA Contemporaries celebrated their one-year anniversary last Friday, September 26, 2014 at the AVANT-GARDE BASH. Artist Kenny Scharf painted several cars live as part of his Karbombz! series (including a silver BMW donated by Shelly BMW, Buena Park). Performances...
Art Nowhere
If you have been in any number of major cities this summer across the U.S., you might have seen a billboard with the hashtag caption #ArtEveryWhere alongside a reproduction of a famous work of art. According to the tagline on the #ArtEveryWhereUS website, this is “A...
The (Charles) Long Road Home
One artist who is returning to his roots after spending the last several years working on massive projects is sculptor Charles Long. For his next major exhibition “Up Land,” at his gallery Tanya Bonakdar in Chelsea, Long is embracing his personal style of hands-on...
Hired Gun: Chas Smith
The residential valley neighborhood wasn’t what I was expecting when I went to Chas Smith’s studio for our interview. Big shade trees lined the wide boulevards of modest houses and neat lawns. Smith has been Paul McCarthy’s main art assistant for over a decade, and...
Christian Tedeschi: Opposites Attract
Up-and-coming Los Angeles-based artist Christian Tedeschi describes his former boss, Nancy Rubins as “a tornado—so much energy.” The 40-year-old assistant professor and head of sculpture at Cal State Northridge recalls his experience as a studio assistant with a...
Rebecca Ripple and Kim Abeles’ Shared Journey
Many young artists, especially those coming right out of school, find working as a studio assistant to be a valuable intermediary step. If they are lucky, they learn practical skills—and perhaps even more importantly—they make significant connections with more...
Nicholas Bowers: Second in Command
Yes, Shepard Fairey is a street art superstar, a highly collectible blue-chip artist, and a household name worthy of museum retrospectives. Fairey’s also a multiple-city muralist, a curator of talent with his own Subliminal Gallery and most recently a co-producer of...
Unsung Hero
Unbeknownst to many, the majority of sculptors that are known for creating large sculptures in bronze, never actually work with the material. Rather they sculpt in some alternative natural—such as clay or wax—then when the final aesthetic is reached, the object is...
ALL GROWN-UP: Made in L.A.
Climate experts have yet to advance their science to a point where we might seriously contemplate climate management, but if they ever do, they might find the curatorial method of “Made in L.A. 2014” instructive. This more sharply focused edition of the Hammer...
Richard Heller opening
"Curated by Barry Belkin Photos by Lynda Burdick" From "NSFW" Group Show, Opening Reception. Posted by Artillery Magazine on 9/02/2014 (9 items) Jinx, Zak Smith, Mandy Morbid David & Lisa Trulli Richard & Kaye Heller Tony Pinto, Adrienne Grace Stephanie Pryor...
