Yesterday, I highlighted the artworks in the South Tent at Pulse Miami Beach. Right now, I’ll explain my reaction to the North Tent: it’s a little complicated. I never want to denigrate anyone’s taste, so believe me when I say I’m not judging when I describe the...
Okay, so I’m really liking Miami Art Week because I’m learning so much about the business of art. Take for instance last night’s yearly party thrown by Jack Shainman Gallery: You could call it a purely shallow affair that effectively markets its gallery and artists as...
Today we visited the Miami Project/Art on Paper fair. The design and layout of the event was nicely integrated into the existing infrastructure of the Deauville Beach Resort. Whoever did the visual logistics and design did an excellent job—almost like being on the New...
Multiples mostly bore me. That said, there are exceptions and Sean Townley’s second exhibition at Night Gallery in Downtown Los Angeles is one. The show consists largely of one image: three cast aluminum lions sculpted from a 3D scan of an ancient Greek funerary lion....
If there was a central flaw or fracture to Karen Finley’s The Jackie Look, it had mostly to do with a lack of clarity of its dramatic objective and trajectory. Finley seemed to be trying to both deconstruct an icon (or more precisely its refractions and reflections in...
Matt Wedel’s is not a “peaceable kingdom” but a kingdom of fruit that happens to be strangely and miraculously at peace, and quite astonishing indeed. Over two dozen wall-mounted and free-standing sculptures comprise this densely imagined tundra, encompassing Wedel’s...
There are probably as many words written about the ‘Jackie look’ by now as there are actual images documenting it. A quick scan of just a few of these images taken over the roughly 40 years of her public life reveals quite a range: the young equestrienne, the...
Paul Thomas Anderson took the stage at the the Ace Theatre last Sunday before the LA premiere of his new music documentary, Junun, to welcome the audience and apologize in advance for being an “asshole” for not participating in the “mandatory Q&A” that seems to...
Editor's note:This piece about the current crop of art shows in Paris was submitted to us days before the latest round of carnage in the City of Light. The recent attacks certainly overshadow the offerings at any of these exhibitions, but as you'll see below, some of...
The idea that abstract painting can be a direct conduit to the unknown, or a means by which artists struggle to understand their own mortality and relationship to God, etc., is certainly not a new concept, yet "Remains," a group show at Durden and Ray, attempts to...
To be a truly outstanding ceramicist one must possess a love of nuance and detail. Kathy Butterly’s exhibition titled "The Weight of Color" at Shoshana Wayne Gallery is more than a mere testament to these attributes, but an all-engrossing visual experience not to be...
In April I received a catalog for Sotheby’s May 2015 contemporary art auction with a cover image of a cardboard Coca-Cola crate embossed in gold leaf, an artwork created by Danish artist Danh Vo. This untitled 2011 work sold at that auction on May 13 for $466,000. I...
Joanne Heyler is the founding director of The Broad museum and director and chief curator of The Broad Art Foundation. She has been Eli Broad’s principal art advisor for the past 23 years.Artillery: Have you ever disagreed with a purchasing decision, or the final...
The North is very much on our collective minds lately – especially in the wake of recent news that TransCanada has suspended its application procedure to build the 1200-mile Keystone-XL pipeline to transport tar sands-extracted oil across the U.S. Plains states to the...
Filmmaker and installation artist Maureen Selwood has turned her attention to the tactile world of sculpture and drawing in her first solo exhibition "Sounding the Note of A" at Rosamund Felsen Gallery, and are we lucky to witness it. Extrapolating on gestures of...
In many ways, Monday evening’s “Un-Private Collection” panel/conversation at Disney Hall, featuring The Broad Museum’s principal architect, Elizabeth Diller, of the Diller, Scofidio + Renfro firm of architects, and moderated by the distinguished architecture critic,...
Dear Readers, Last month, Artillery held a panel discussion on whether artists need art school. On my way to the panel, I received a phone call from a friend telling me he wouldn’t be able to make it. This friend is known for his cynicism; he added wryly that if he...
Perhaps the best example of the depth and breadth of Sandow Birk’s artistic oeuvre, along with its powerful social/political implications, is his recently completed “American Qur’an,” nine years in the making. Birk conceived of this series during the Iraq and...
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