Ruben Ochoa’s “SAMPLED y SURVEYED” illustrates the artist’s penchant for transforming basic construction materials into structural installations charged with meaning. Primarily working in wood, metals and concrete, Ochoa’s referential works function as tools with...
The objects in the image seem preternaturally still, pushed off to the left side of the frame: a liquefied elastic globule seems to pull down or just barely rest at the very corner of a marble slab, above it there is a chunk of what looks like concrete with rebar...
Care for a pickled egg? How about a mayonnaise sandwich? Or maybe you’d prefer apple butter? With these questions and a simple spread of food with which to ply visitors, Michael Lewis Miller gently draws his audiences into his performances, which arise almost...
Known for her minimal interventions in public spaces, creating subtle shifts in environments, either visually or with sound, New Orleans-based Zarouhie Abdalian has garnered significant acclaim. With four components considering the concept of work, “To History”...
Sean Tejaratchi, from Crap Hound #1/6: Death, Telephones & Scissors, 1994/2012 In this issue's Under The Radar, our regular column by Doug Harvey. Doug writes about Liartown: https://artillerymag.com/undertheradar-19/
In my second year at Cornell my family were happy because they thought they could finally stop worrying about me. I don’t know why they worried so much; I thought I was doing fine. Of course, I was still a virgin, but so what? I had some pretty deep crushes: one on...
In his recent work, Jesse Benson uses appropriation to dismantle “appropriate” interpretation. But unlike other painters who might pursue this goal through dramatic, even offensive subject matter, Benson does something subtler, de-familiarizing recognizable, seemingly...
French conceptual artist Sophie Calle’s exhibition at the Musée de la Chasse et de la Nature, "Beau doublé, Monsieur le marquis! Sophie Calle et son invitée Serena Carone" is Calle’s first exhibition in France since her retrospective at the Centre Pompidou in 2003,...
Picasso knew what he was up against – literally. He pasted it into his art, more or less inventing collage in the process. He (along with a few of his other Cubist colleagues) also played with trompe l’oeil, but he understood this wasn’t the same thing – a device...
Emily Counts' sculptures appear suspended at an intriguing juncture of covetable fashion and female shamanism. Of motley materials and contrasting forms, Counts' esoteric abstract shapes evoke mystical amulets or dreamcatchers; while their candy-hued glossy surfaces...
I’ve always thought the human preoccupation with borders and perimeters had more to do with its relationship with animal wildlife (not that humans have ever exactly been ‘tame’). I realize I’m speaking a bit off the top of my head – I’ve never done any serious...
There’s a lot to learn from Ellen Gallagher’s new exhibition. For example, it turns out Herman Melville was an Afrofuturist. And that the Atlantic Ocean is the original abstract expressionist. Also, that it is possible to make a map of something you can never see. On...
I’m thinking about family albums right now – not something that comes to mind very often (and now I’m wondering if this is the first time I’ve ever considered this). I suppose this could also be something captured and stored digitally – but for some reason, it doesn’t...
After a momentary pause it feels good to come back and blog for Last Night. With the rolling sexual allegations at the forefront of the media, the opening of SELFHOOD: The Space Between, a collaboration with the artist collective, Honey Power and Nous Tous Gallery by...
If you’re all Nutcrackered out even before Christmas arrives, Sugar Plum Fairy may be the perfect tonic. Sandra Tsing Loh, as actor, writer and comedienne, mines her pre-teen years growing up in the San Fernando Valley. She relates the story of being the younger,...
Each painting currently displayed at Zevitas Marcus evokes the satisfyingly voyeuristic sensation of Sarah McEneaney or Ann Toebbe allowing you to peer through a window or skylight into her studio or home. This show's compendious title, "Home Work," bespeaks...
What are the contours of gender? Is there a range of conditions that determine gender along a curve or spectrum we can visualize or somehow represent, measure or analyze? Is there a focal point we can identify that will turn it in one direction or another? Most of us...
Rallying against overwhelmingly white, male perspectives in art history, “We Wanted a Revolution: Black Radical Women, 1965-85” at the California African American Museum (CAAM) is not to be missed. The exhibition highlights the stylistically varied work of over 30...
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