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Cleverly titled "Tryouts for the Human Race," Max Hooper Schneider's show features only four works, each of which exists as a wondrous self-contained realm inside Jenny's, a diminutive Silver Lake gallery whose absence of outward signage makes the sight inside all the...
Reuven Israel's compelling exhibition at Shulamit Nazarian, titled "In Four Acts," is concerned with variation and transformation. His beautifully crafted floor-based sculptures are amalgamations of pieces of painted oak of approximately 6 to 12 inches in length by 1...
"Objects of Desire: Reflections on the African Still Life" is a tour de force of technical versatility, showcasing Meleko Mokgosi's multifarious painting skills alongside written testaments of his art's heady conceptual foundations. Mokgosi's paintings and sculptures...
When in 1851 the French writer Victor Hugo rose up against the coup d'état initiated by Napoleon III, the police were looking for him. Hugo had to flee Paris, the city in which his first child Leopold passed away in infancy and his beloved nineteen-year old daughter...
Ostensibly a presentation of individual large-scale mixed media sculptural works, Aaron Fowler’s current exhibition is more like a series of pocket universes. Occupying the entireties of two art galleries on opposite sides of the city, Fowler presents these monumental...
Calling all Kimberly Brooks fans: A short time remains to catch "Fever Dreams," her mid-career survey at Mt. San Antonio College Art Gallery. More than 20 pieces, from small studies to watercolors on paper to large-scale oil paintings, sketch Brooks' artistic...
Iraqi-born, Los Angeles artist Susu Attar opened an expansive exhibition on October 20th filling LA’s very own The Mistake Room with dynamic paintings made on long scrolls of white paper. Entitled Isthmus, TMR Deputy Director Kris Kuramitsu curated the wonderfully...
Uneasy undercurrents seep from Jo Ann Callis' delusively simple images. Her versatile talent for finding eeriness in the everyday is amply demonstrated in "Now and Then" at ROSEGALLERY. This manifold selection of paintings, sculptures and photographs from the 1970's...
The entry into Tavares Strachan’s “Invisibles” exhibition is a kind of anteroom (Six Thousand Years, 2018) evoking something like a private library or even a Wunderkammer. It’s wall to wall, floor to ceiling array of acrylic vitrines, each the exact same size, holds...
Two painters posit banal architectural environments as metaphoric expressions of thoughts and emotions at George Billis Gallery. Each of the eight oil paintings comprising Alex Roulette's show, "Memory Moving Sideways," features one or more people dwarfed by...