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There are so many good shows right now at the Vincent Price Art Museum that it's impossible to choose just one. "Images of the Divine in Everyday Mexico" comprises retablo and ex-voto paintings from the early 19th to mid-20th centuries. Mostly wrought on small sheets...
You don’t need to read the press release to know that Russell Crotty has outer space on the brain. The work currently on view at Shoshana Wayne Gallery was inspired by a residency at an observatory, and it shows. In mixed media paintings from the last two years, a...
Titled "The Sick Rose" after William Blake's 1794 poem and engraving, LA painter Laurie Nye's current exhibition is like a garden of botanical specimens evoking romance and malady. Describing a rose afflicted by the pernicious love of an invisible worm, Blake's...
Iranian American stitch painter Ardeshir Tabrizi's new works on show at Roberts Projects reflect his remarkable journey to reconnect with his Persian roots. Born in Tehran, Iran, he left the county with his family at age four in 1986 during the Iran-Iraq War and...
“Blessed are the meek…” – Gospel of Matthew, 5:5 Has Theaster Gates truly “upcycled” his entire wardrobe as a spiritual gesture and a means of achieving transcendence? Perhaps he has. But in the most literal sense, Gates has taken the raw material of his sartorial...
The 22 representational paintings, drawings and prints comprising Vincent Valdez’ show, “It Was Never Yours,” symbolize American decline and apprehension with varying degrees of overtness. The Houston-based artist’s occasional flirtations with obvious content, such as...
It is hard to imagine living in Los Angeles and not being acquainted with the work of Kenny Scharf. His comic style, painted murals of interlocking faces, often derived from television and pop culture icons have adorned numerous buildings as well as individual’s cars...
References to narrations from the Old and New Testaments are hard to miss in the paintings of Naudline Pierre, as the fabulist spiritualism of her compositions presents an iconography of winged beings, gardens, serpents and sunrise convocations. More than one work...
Elyse Pignolet’s “You Should Calm Down” at Track 16 is a wry call-out of the misogynistic and patriarchal culture in the U.S. and the barrage of passive-aggressive phrases that women in our society frequently hear. It’s a collection of works that are distinctly of the...
If the minimalist impulse was to eradicate any trace of the artists’ hand, then at first glance the work of Robert Moreland seems to fully participate in that inclination. Upon closer scrutiny, it becomes clear that his animating spirit is much more related to a DIY...