Not front of house, with its symmetrically billeted art objects reflecting in its polished concrete floor, these rawboned works by HK Zamani are arrayed deep in the back, in a brick and concrete garage, its loading dock and ramp illumined by dangling warehouse...
Patricia Watts is the founder and curator of ecoartspace. She lives in Santa Fe, New Mexico, on the unceded land of the Tewa people. ARTILLERY: What was the crucial purpose in founding ecoartspace? PATRICIA WATTS: When I came up with the concept for...
“Eurydice,” Kandis Williams’ film and solo exhibition is a work that, once experienced, retains the power to alter one’s perceptions, a power that continues to linger. Both aesthetically graceful and experimental, the central part of the exhibition is a 20-minute,...
Through his glorious tangle of color and motion Kengo Kito has offered an oversized ravel of joy with Reconnecting (2021) a fascinating and immersive installation of hula-hoop spirals that fill the gallery and immerse the spectator. On view at Japan House in...
Leo Mock’s oil stick, oil and charcoal paintings are imaginative hybrids that distort the recognizable elements found in the natural landscape into something fantastic and surreal. Through six large-scale paintings, viewers are taken on a journey to an unknown world....
From an ultramarine field, a glyph emerges. It is the shape of something, human or animal, and it appears to pirouette in the center of the canvas. Drawing closer reveals other marks scratched into the surface of the blue, or small fragments embedded in the field. One...
Installation—often understood as the act of locating, positioning and inserting—has, in Nari Ward’s exhibition at Jeffrey Deitch gallery in Los Angeles, intersected with the examination of founding American democratic principles. This combination of past works and...
In his kinetic objects and interactive environments, Nick Dong combines the simple, fractal serenity of Buddhist design with the quirky warmth of Victorian curio cabinets, as well as a refined yet theatrical sense of surprise. Across a handful of discrete objects and...
The very model for a great photographer in the post-World War II era was Henri Cartier-Bresson, a cosmopolitan heir to a fortune who was a co-founder of the photographic cooperative Magnum and traveled the world taking photographs with his hand-held Leica camera. His...
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