The Los Angeles County Museum of Art continues to set a high bar for film exhibitions with their latest, “Haunted Screens: German Cinema in the 1920s.” The striking exhibition design by architects Amy Murphy and Michael Maltzan has it “interrupted” by three...
BOOKS: Billion Dollar Painter
If you asked beginning art students to name a living artist in 1998, the most frequent reply would be Thomas Kinkade. Given the art world’s fascination with popularity and money, this is hardly surprising. By this point in his career many upscale malls had galleries...
Return of the Vile Vampire
And the vampire pendulum swings back to another extreme: vile, wretched, diseased and genocidal. The FX channel is due to air The Strain this July based on a trilogy written by Guillermo del Toro and Chuck Hogan: The Strain (2009), The Fall (2010), and Night Eternal...
Heroin Chic, American-Style
A search of William Burroughs on Amazon turns up 3,976 items. If you add the word biography to your search, it narrows down to 135 items. Barry Miles wrote a biography of him in 1993, and released a revised version in 2002. He has also written books about Allen...
Finding Vivian Maier
We all wonder about the secret life of quiet people—surely, there’s turbulence churning beneath placid surfaces. In the fascinating new documentary Finding Vivian Maier, we follow John Maloof, a self-styled photo historian and first-time filmmaker, on his journey to...
BOOKS: (Bed &) Breakfast with Lucian
There is a popular stereotype of the 20th-century artist as a hard-living bon vivant who lives to paint and leaves a trail of broken hearts. Most current versions this type have a brand to maintain. The last thing you can imagine such a person wanting is privacy....
The Museum of the Cold War
Since its inception in 2002 The Wende Museum’s corporate park location has had a discreet charm. The easy-to-miss suite is tucked behind a landscaped parking lot in a hive off Slauson in the former Fox Hills Mall— Culver City adjacent. Its charms unfold as you make...
MEDIA: Books
Forty years after his death, Henry Darger remains one of America’s most polarizing artists. Given that he died unknown and virtually friendless, it is a testament to the power of his work that people are still arguing over what it all means. The very reason we know he...
MEDIA: Books
“The basic premise of Learning from Las Vegas is that the car has significantly shaped the form of the contemporary American city.” This simple statement seems so manifestly obvious: both trivial and unassailable. Yet in the hands of Martino Stierli, it is embedded...
Opera for the Masses
There’s something suggestive of time travel as well as terrestrial travel in The Industry and LA Dance Project’s production of Christopher Cerrone’s Invisible Cities—adapted from Italo Calvino’s poetic masterpiece—as true to the spirit of Calvino’s work as almost...
FILM: Scott Stark’s Promethean Sparks
In Scott Stark’s The Realist—fresh off premieres at the Toronto and New York film festivals, and screening later this month as part of a REDCAT nano-retrospective of Stark’s three-plus decades of tenacious experimentalism—a gaga pair of drop-dead gorgeous...
BOOKS: Art Powered by a Past Era
Steampunk is a recent Populist art movement that glorifies unique, handmade objects and fashion from the Brass Age, an era lasting from the first large scale manufacture of nautical brass around 1830 until the mid 1920s, when automobiles no longer used brass fittings....
FILM: SECOND ACTS
While sagas of personal transformation are a staple of recent nonfiction filmmaking—from U.N. peacekeeper Roméo Dallaire’s inexorable drift into despair (and back) in the CBC’s Rwanda documentary Shake Hands With the Devil, to crack-mom Kirk White’s unexpected ascent...
FILM: In the Shadows, Cutie and the Boxer
Most stories about larger-than-life male artists and their girlfriends/wives share a familiar arc—he overshadows her. When Jackson Pollock and Lee Krasner bought a house in East Hampton, Pollock got to work in the barn, Krasner painted in the bedroom. It was only...
Books: To (Richard) Hell and Back
Richard Hell swaggers up the side-walk, as if in a private movie that is being played out for the pleasure of others, as if he is being watched—which he is. Full of himself. Happy: yes, I suppose that’s another word for it. And why wouldn’t he be happy? He is about to...
Decoder
I was, for six or seven seasons, baffled by The Cool Wall. It’s a wall full of pictures of cars on the British car show Top Gear. They take cars and go “Cool? Not cool? Subzero?” and then put the picture somewhere between left and right, between cool and uncool, with...
FILM: SPRING BREAKERS
Last year’s James Franco–curated “Rebel” show at the Joel Cohen/MOCA space included a collaboration between Hollywood’s polymathic heartthrob and indie enfant terrible Harmony Korine, in the form of a video entitled CAPUT. The rooftop rumble between bare-naked gang...
LONDON CALLING
Gerard BYRne works from the premise that what constitutes the historic is constantly shifting and that there are a series of presents. In his artistic practice the interview and conversation become scripts to be performed in order to open up a number of critical...