While much of the focus on Ramiro Gomez’s new show at Charlie James Gallery, and Gomez’s work generally, has been on labor – as subject and focal point; as a device re-framing public discourse around the subject; as the un- or under-addressed component of its surround...
While much of the focus on Ramiro Gomez’s new show at Charlie James Gallery, and Gomez’s work generally, has been on labor – as subject and focal point; as a device re-framing public discourse around the subject; as the un- or under-addressed component of its surround...
Self-portraits have been around forever and photos have been around longer than anyone now living. But selfies, I am going to argue, are their own thing. New in important ways. Definition: on a Venn diagram selfies are a small circle within “self-portraits” and...
The City of West Hollywood is well known as one of the most liberal cities in America, so it’s more than a little ironic that the city officials have been accused of censoring the artistic work of photographer Brooke Mason who curated shows of women’s artwork at three...
Dhyandra Lawson is a curatorial assistant in the Wallis Annenberg Photography Department at the Los Angeles County Museum of Art (LACMA). ARTILLERY: Please describe your job at LACMA.Lawson: I support the curatorial work of my departmental colleagues and make time for...
BIGGER IS BETTERDear Babs, I went to the inaugural opening of Hauser Wirth & Schimmel here in Los Angeles. Seeing the sheer magnitude of the new mega gallery as well as the crowds it brought out made me wonder what it would mean for LA. Are these gallery/museum...
Unlike Dante Gabriel Rossetti’s fascination with his models—whom he painted obsessively, much to the detriment of his painting—Robert Mapplethorpe’s photographs of Lisa Lyon show no signs of such frustration. Rossetti was like a man locked outside of a house to which...
LIVELY UP LA ARTS DISTRICT INTERVIEW WITH JENNI SORKINHauser Wirth & Schimmel launched with a bang on Sunday, March 13, opening its doors in a former flour factory in Downtown LA with the exhibition “Revolution in the Making: Abstract Sculpture by Women,...
One of my favorite photo monographs by Kahn & Selesnick is an accordion-folded book that stretches out to 19 feet when it is fully unfurled. There is a narrative involving an Edwardian moon mission that is rescued by the Apollo astronauts. A version of these...
So much of contemporary art and music is preoccupied with a space, both physical and cerebral, between layers, liminal boundaries – the space between potential and actuality; the ‘what-if’ imponderables of what-was, what-might-have-been, and what-might-be. It’s both...
I recently overheard somebody make the observation that David Bowie’s death has “staying power.” It sounded like an idiotic remark at first but in this case it seems accurate. Sure, Bowie was one of the greats, an unfading star who provided an exhilarating soundtrack...
Ross Lipman, the legendary film restorationist responsible for preserving the cinematic legacies of Bruce Conner, Kenneth Anger, John Cassavetes, and a cluster of forgotten American neorealist gems including Killer of Sheep and The Exiles, has turned his attention to...
These notes are for Marilyn. “Let's talk of graves, of worms, and epitaphs....”William Shakespeare, Richard II, III:2I woke up this morning thinking about death – my own and others’ (including a friend who may be...
Fresh (if that’s the word for it) from the carbon cycle conundrums posed by the FotoFest 2016 Biennial in Houston, I faced the ambivalence of ‘homecoming’ between LACMA and the Getty Museum, returning to, if not the ‘haunts’ of my mole-dark youth, certainly a few of...
AWOL is in Houston this evening – with official leave this time (at least in theory, still leaving no accounting for her invisibility the last two or three weeks in Los Angeles) – at the 2016 FotoFest Biennial. The theme of this year’s Biennial is Changing...
Stefan Simchowitz is a controversial figure in the art world. He doesn’t own an art gallery yet maintains a large network of art collectors. He eloquently expounds upon art theory but is not associated with an art institution. He provides advice and monetary support...
We are in the midst of the information age, with archives and libraries overflowing, and records piling up like plastic in the ocean. How does personal value translate to cultural value, or is it the same thing? Who decides what is worth preserving? How should...
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