I have a confession to make: I am Miroslav Kyropnik! (crickets) One of my sub rosa projects at UCLA was the creation of a body of work by a totally fictional outsider artist who took found photographs, magazine illustrations, and art reproductions and added speech...
UNDER THE RADAR
This whole end-of-net-neutrality panic is a bit of a mystery to me. Sure, it sucks, but what were people expecting? That businessmen would suddenly do the right thing, because, like, information wants to be free? So did Frederick Douglass, but trickle-down economics...
UNDER THE RADAR
Mimi Pond is a legendary figure in LA—part of the generation of independently-minded cartoonists nurtured—then dumped—by the alternative media, she also wrote the first-aired episode of The Simpsons (before being expelled from the bullpen) as well as contributing to...
UNDER THE RADAR
Avant-garde artistic movements have a funny way of morphing into the mainstream—witness the fridge-magnet ubiquity of Impressionist paintings, or the integral role of appropriated samples in contemporary pop music. Perhaps the least-known but most influential of these...
UNDER THE RADAR: Gary Panter
Gary Panter wears many hats—visionary punk cartoonist, Emmy-award winning designer for Pee-Wee’s Playhouse, psychedelic lightshow revivalist, cutting-edge graphic designer, experimental musician, candlestick maker. Having dazzled the comic art world with his elaborate...
UNDER THE RADAR
The He-Man Action Movie Appreciation Society meets regularly to interrogate promising high-budget mainstream shoot-’em-ups in the context for which they were designed—big, loud movie theaters. The Society’s inaugural screening resulted in my report “Is Jason Bourne a...
Tony Conrad: Completely in the Present
Tony Conrad is one of the unlikeliest figures to be the subject of the kind of late-career historical recontextualization that authenticity-starved hipster youth have made their simulacral avant-garde. Don’t get me wrong. His bona fides are all in place; a pivotal...
UNDER THE RADAR
I first became aware of the remarkable documentarian Adam Curtis a few years ago, when I stumbled across The Century of the Self, a four-part television program exploring the birth of the public relations industry by way of the career of Sigmund Freud’s nephew, Edward...
UNDER THE RADAR
Installation artist and drone improviser Gabie Strong has been a playa in the surprisingly vigorous Los Angeles experimental music community for some time, with her radio show Crystal Morphologies as one of the anchors of pirate radio KCHUNG’s programming lineup for...
UNDER THE RADAR
Fifty years ago—in May 1966—the Velvet Underground played their legendary West Coast debut at Hollywood nightclub The Trip as part of Andy Warhol’s Exploding Plastic Inevitable. On the first night, the joint was packed with curiosity-seeking hipster celebrities; Cher...
UNDER THE RADAR
The mighty Atlas Press—London-based purveyors of “pataphysical texts,” Dada documents, Viennese Aktionist manifestos, and Oulipo anthologies—has reissued a legendary art book that uses a tabletop cluttered with the detritus of daily life as a jumping-off point and...
Art of the Prank; NOTFILM
Ross Lipman, the legendary film restorationist responsible for preserving the cinematic legacies of Bruce Conner, Kenneth Anger, John Cassavetes, and a cluster of forgotten American neorealist gems including Killer of Sheep and The Exiles, has turned his attention to...
UNDER THE RADAR
We are in the midst of the information age, with archives and libraries overflowing, and records piling up like plastic in the ocean. How does personal value translate to cultural value, or is it the same thing? Who decides what is worth preserving? How should...
UNDER THE RADAR
Archiving cultural ephemera is a tricky business. Anyone who’s followed my writing for even a brief time will have encountered some kind of rant about how the institutional canonization of cultural insurrections like Punk, zine culture, hippies, beats, etc.,—or...
UNDER THE RADAR
Given the conflation of mid-century modernist furniture design and improvised experimental music on invented instruments, I’m probably remembering correctly that it was Steve Roden who told me about Harry Bertoia’s “Sonambient” sculptures and self-released LPs, one of...
UNDER THE RADAR
So, somehow I wound up teaching a couple of Modern Art History classes, right? I’m not exactly thrilled with the default textbooks, so I’m keeping my eyes open for a replacement. So when Thames & Hudson recently issued the revised second edition of Art Since 1900...
UNDER THE RADAR
You wouldn’t know it from such thriving, vibrant publications as Artillery (can I get that raise now boss?) but print is a dying medium. Sure, they still run off enough copies of Divergent and Heaven is for Real to build a paper mache penitentiary the size of an...
Festival of (In)appropriation #7
As I may have mentioned before, collage—in spite of lip service to artists from Picasso/Braque to Hannah Hoch to Rauschenberg to Elliott Hundley—remains under-acknowledged as the central formal and conceptual engine of modernist and postmodern art over the last 100...