It’s weird how the treasure trove of Outsider Video Art that was Public Access Television has only started to seep into mainstream consciousness as it has disappeared—the amateur programming itself, as well as its very context and infrastructure, rendered infinitely...
FILM: Welcome Space Brothers
PAINTER OF DARKNESS Cracking the Kinkade Vault
Shortly after Thomas Kinkade died tragically from an overdose of Valium and booze in April 2012, LA artist Jeffrey Vallance had a dream in which Kinkade showed him a secret vault of disturbing artwork that ran counter to the wholesome, uplifting image cultivated...
A Few of Jeffrey Vallance’s Favorite Things
Jeffrey Vallance holds a unique position in the LA art world. A contemporary of Mike Kelley, Paul McCarthy, Jim Shaw, et al, his work has had a comparable impact locally and internationally, while not transitioning to the industrial fabrication mode demanded by the...
Let There Be Light Daniel Hawkins’ Desert Lighthouse Turns Five
“It looks like the unlicensed pot farms have ceased operations.” Daniel Hawkins is surveying the Mojave Desert landscape surrounding the hill on which he built a fully functioning 50-foot solar-powered lighthouse in 2017. Below us, an elaborate compound of white tents...
Arata Tat Tat A Conversation with Michael Arata
Almost exactly 10 years ago, one of my favorite (and certainly most improbable) curatorial projects was unleashed upon the world: Renee Fox, who was overseeing the development of the Beacon Arts Building in Inglewood (at least its cultural aspect) invited me to do...
UNDER THE RADAR
Quarantine isn’t much different from my old normal. In case you hadn’t noticed, this column is 99% reviews of things that I receive through the mail or via the web - anything that doesn’t require me to leave home and interact with my fellow art world and academic...
Life in the Cracked Lane
Before a few weeks ago, as far as I know, I had never had direct communication with anyone who’d even heard of The Rev. Dr. Fred Lane (though I’m sure some of the LAFMS folk could prove me wrong). Lane hasn’t released anything since 1986 when Shimmy Disc dropped his...
The Motherload of Crap Hound
Sean Tejaratchi is a taxonomic guerrilla and semiotic hoarder. His social media phenomenon (and book) Liartown generated a tsunami of WTF memes, that have been described as “layered, multivalent detournees of the entire gamut of visual culture from the last century...
UNDER THE RADAR
You always hear about how we’re living in a golden age of TV, but you rarely hear the same thing about comic books. Which is weird, since comic books have taken over the film industry, further fueling the current golden age of TV. But far below the Olympian economics...
UNDER THE RADAR
Perhaps the best-known configuration of the ever-shifting alliances within the legendary Los Angeles Free Music Society (LAFMS) is the art-noise supergroup Extended Organ (XO). There’s some irony in this—apart from the very concept of an art noise supergroup—in the...
Under the Radar
If you’ve been following my recent columns here, you’ll know I’ve been on a bit of an ’80s counter-nostalgia binge, looking at an alternate history to the period, conjured from the last dregs of genuine counterculture before techno, grunge and the internet came to...
UNDER THE RADAR
Eighties nostalgia is a sad and sick thing. In Dazed and Confused, Richard Linklater’s early-’90s exercise in ’70s nostalgia, the character Cynthia (played by Beck’s future wife!) explains her Every Other Decade theory thusly: “The ’50s were boring. The ’60s rocked....
UNDER THE RADAR
In Branden W. Joseph’s book, Beyond the Dream Syndicate: Tony Conrad and the Arts After Cage, Joseph precipitates his excursion into the minutiae of the early ’60s New York City avant-garde on Mike Kelley’s concept-like-thing of Minor Histories—a sort of...
UNDER THE RADAR
It’s been getting harder to tell the difference between weird and normal lately. Case in point: the current flurry of activity documenting the burgeoning interest in an obscure sub-genre of lounge music, known as “Library” or “Production” music. In many ways, the...
UNDER THE RADAR
NOTE: Ultimately, the correct response to each of these prompts is one or more paintings. 1. How is a painting different from the screen of your phone? 2 Does the image in a painting end at the edge of the canvas, or continue to infinity? 3. What is a painting? Give...
UNDER THE RADAR
I first realized I was an “anarchist”—somebody who doesn’t believe in government—when I first heard the word, probably when I was 11, right around the same time I figured out I was an “artist.” (I didn’t have to look that one up, though I probably should’ve.) I didn’t...
UNDER THE RADAR: TEMPORARY SERVICES
About a month ago Virginia Katz cajoled me into leading a discussion at her regular public salon at Eastside International gallery at LA’s Brewery art complex. Since every time an art critic speaks in public an angel loses its wings, I am not really big on the whole...
FILM: Wild Wild Country
When I initially started hearing the buzz surrounding filmmaker brothers Chapman and Maclain Way’s Netflix documentary series about the Indian guru Bhagwan Rajneesh’s failed attempt to establish a large commune in rural Oregon in the 1980s, I was surprised—hasn’t this...