Artillery is back with Day 3 in Miami Beach. The fairs are in full swing, the collectors are fighting for first access, and the tiny glasses of overpriced champagne are on offer at every opportunity. Yesterday, we started with the design highlight of the week: Design...
Inclining towards controlled madness while also surveying the forces to which we may dutifully acquiesce, Sascha Braunig's painting exhibition, “Poseuses,” at François Ghebaly, vividly replicates matrices of power that one can experience both personally and within the...
After a weekend filled with art and philanthropy in Palm Beach, we’re officially ready for the parties, fairs, and people-watching of Miami Art Week. Yesterday, Untitled Art and the New Art Dealers Alliance fairs opened to VIPs, and the heavy-hitting Art Basel Miami...
Miami Art Week is back, which means the crowds are on the way to enjoy the beach, the sun, the stunning hotels, and the most coveted art the market has to offer. For those of us visiting from New York, the warm weather couldn’t have come at a better time. Throughout...
Mary Woronov, Chelsea Girl, writer, actress and painter, is currently displaying her luscious punk-rock paintings in a Pop-up exhibition at an old Land Rover/Jaguar dealership in West Hollywood. This is a rare opportunity to see this extraordinary survey of her unique...
Persuaded by her alchemist rhapsody and teetery yet unshakeable assertion, Isabel Nuño de Buen’s exhibition, “Now and Away” at Chris Sharp Gallery instills in me a yearning for more. Her intricately crafted wall sculptures, characterized by their personable scale and...
It’s weird how the treasure trove of Outsider Video Art that was Public Access Television has only started to seep into mainstream consciousness as it has disappeared—the amateur programming itself, as well as its very context and infrastructure, rendered infinitely...
“Have I ever felt strange suddenly being myself?” I thought after leaving Simphiwe Ndzube’s exhibition, “Chorus” at BLUM. If I integrate all the parts of myself into the world I believe in and want to see the most, maybe I too will find ordinary enchantment. Perhaps I...
Poncili Creación is in LA, preparing to take us by storm with the glory of trash at Hauser & Wirth Los Angeles. In advance of their November 11 performance, Our Name is Moving, I took part in their creative workshop POSSIBILITIES OF MATTER and sat with them for an...
Dear Reader, This issue is a fave of mine. I’ve always loved crafts, especially as a youngster. I taught myself how to sew and embroider, and I made a hooked-rug wall-hanging in my high school art class. I was by far the youngest member of a quilting bee. I even...
“Nonmemory,” for the artist Mike Kelley, was something akin to his notorious usage of the “uncanny,” a theory borrowed from Freud wherein repressed memories emerge into disturbing feelings. In nonmemory, however, what has been forgotten stays so, and recollection is...
While Deana Lawson is known for her individual, staged photographs depicting African-Americans communities in interior and exterior environs, she also conceptualizes the entirety of her presentations, which often include casual snapshots displayed as collages. In...
Steve McQueen combines his filmmaker’s sense of scale, drama and cinematic history with his artist’s sensibility in Sunshine State (2022), a work of visceral impact and pointed message that is also rich in nuance, symbolism, connection, contradiction and emotion....
The opening for Kim Jones’ exhibition had a kind of homecoming spirit, reflected in its title, “Walking Home.” Several of Jones’ first post-graduate performance pieces in the 1970s were marathon “walks” between various landmarks in Los Angeles, performed in the...
“Humankind cannot bear very much reality,” remarked the poet who gave us The Wasteland, T.S. Eliot. The observation supports the standard explanation for the failings of our species to adequately address the climate crisis, the scope and scale of which are too...
Religious parochial dogma is often fraught with pedagogical conflicts in the spheres of doctrine, institutional curricula and, unsurprisingly—queer identity. Overlay these ideologies with Mexican-American cultural norms and concomitant conventions of masculinity, and...
In “Swamps and Ashes,” Sun Woo reflects on the contemporary desires and fears borne from our increasing interaction with and use of commodified technologies. Evoking visceral feelings against the backdrop of fantastical virtual environments, her paintings create a...
Psychedelic experience has some distinct qualities. One may experience hallucinations of shifting yet repetitive imagery. Random objects become supercharged with symbolic meaning. Reality dissolves into the purely visual. Time itself is revealed as an abstract...
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