The artistic legacies of Mexican Muralism remain imprinted on LA’s urban landscape, in faded residues on cracked concrete structures and sometimes peeking out from peeling layers of whitewash anti-graffiti paint. Throughout the 1970s, many artists in Southern...
Congratulations to our winner Kevin McCollister and our finalists. Kevin's photo is seen above and first in our photo gallery in the July/August online and print edition of Artillery. The following photographs are the finalists. Please see the info below on how...
While painting may, in most cases, operate within the mind alone, sculpture is intrinsically connected to the body. Sculpture itself has a certain corporeality. The works aren’t abstracted onto a wall, but rather exist in the world among us. We are forced to reckon...
There is nothing new about burning books. There is a recorded instance in the Hebrew scriptures of a scroll, dictated by a prophet, being burned 2700 years ago. Any place that had a written language has also probably had instances of burning whatever the words were...
Los Angeles is a city best seen at 30 miles per hour, when its squalor and splendor even out to create a neutral grandeur; it’s at the slower speeds that our angels’ dereliction becomes evident. Pedestrians know this and that’s why nobody walks in LA—like the Missing...
The acorn never falls too far. At age 12, an enterprising artist stood in front of White on White, the Kazimir Malevich painting at MoMA NY. She tugged on her father’s sleeve and asked the surgeon, “What does it mean?” His answer inspired Kimberly Shlain Brooks toward...
In contrast to city symphonies’ majestic depiction of high-rises and new machinery, Yu Ji displays discarded objects and debris. Instead of emphasizing order and repetition, the artist embraces liquidity and discord.
YU JI Chisenhale Gallery OUTSIDE LA: London, UK By Eran Sabaner Kalaora At the center of Chisenhale’s main gallery, a black net is suspended, hanging between multiple points on the ceiling. Resembling a post-nuclear hammock, the net carries rubble...
For an artist who has deliberately cultivated a naïve style, Umar Rashid (who also occasionally calls himself Frohawk Two Feathers) appears to have calculated the exhibition’s title, “Per Capita” with almost labyrinthine deliberation—an amalgam of the coyly...
Alexander Harrison’s aptly named exhibition “Midnight Everywhere,” is an exploration of the moods, tones and colors that the night brings. The paintings in the exhibition form a cohesive collection and tell the story of a solitary artist living in an old wooden house...
All good art has at its core an essential moment of transmutation, a point at which the object and the idea which informs it fully coalesce. The essence of the object—whether it’s a painting or a bag sculpture—versus the impulse to create it in the first place are the...
A new suite of swimming-pool themed paintings by Brandon Lipchik look like everything but what they are. Their physical surface textures are varied from shape to shape, and even more so the range of techniques employed in each image. Their reductive geometrical and...
Mari Evans’ poem, “I am a Black Woman” was resurrected through the “Passion Power Prayer” exhibition at Band of Vices, featuring abstract paintings by Lisa Diane Wedgeworth. With a singular vision her works extend an invitation, as in The Matrix (1999): to take the...
While an artist-in-residence at Artpace, in San Antonio TX, Elana Mann created work for her exhibition “Year of Wonders.” Executed during the height of the recent pandemic and inspired by Geraldine Brooks’ Year of Wonders (2001) that focused on the 1666 pandemic...
In “Sanctuary of the Aftermath” at Angel’s Gate Cultural Center in San Pedro, curators Jason Jenn and Vojislav Radovanovic give viewers a lush, graceful experience with poignant experiential moments. Comprising 10 multimedia artists—David Hollen, Ibuki Kuramochi,...
The silencing of protest is the hallmark of authoritarian governments. While often this silencing can be very bloody, the most effective form of violence is legislative. The fight for democracy in Hong Kong – and the accompanying crackdown – is a prime example of how...
Eponymous Black is a stout, surly fellow with bad breath and a death drive that rivals Ophelia. His only friends are the pigeons in Central Park, and even they have their reservations, as often he’s deliberately stingy with the dissemination of the most coveted heels...
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