Jim Shaw’s work has always moved, both performatively and analytically, between the quotidian space of individual consciousness, and collective and cultural spaces both conscious and unconscious. Since he began using film studio and theater backdrops as readymade...
A procession of wooden plinths hold aloft groups of idol-sized sculptures, stout bodies with the hallmarks of Mayan figurines, whose torsos sport schematic rib cages, hearts and organs, and are topped with faces rendered in a contemporary style—portraits of migrants...
Transformation is at the heart of Elizabeth Malaska’s paintings which operate like a story or a fairytale—a mythology of metamorphic processes that disrupt, shape-shift, alter and expand concepts of the self—employing a kind of magical thinking oriented around...
It is not unusual for an exhibition of Friedrich Kunath’s paintings to be accompanied by something outrageous and unexpected. In both 2012 and 2017 he carpeted gallery floors, transforming them into soft, colorful fields dotted with sculptures, couches, socks, giant...
Using a swirl of varied mediums, “Re•Iterate” is a fiery, highly textural exhibition curated by Lorraine Heitzman and featuring works by Heitzman, Raghubir Kintisch and Monica Wyatt. The viewer’s eye darts between textures, colors and patterns, finding a focus both in...
A meandering sun-bleached trek forms the exterior presence of Wardell Milan’s exhibition adjacent to the recently completed art museum at the oldest of the seven Claremont Colleges—an academic plantation that sprawls over 500 acres and eagerly sends clever children...
Luis Garza was a dedicated artist and visionary who helped advance Chicano culture and activism in the 1960s and 70s through his compassionate photos. Born in 1943 in the South Bronx, he moved to Los Angeles in 1965, searching for a lifestyle more amenable to his...
At Geary Contemporary, an exhibition pairing Lizzie Gill and Kristen Jensen, shows how nuanced, elegant and powerful the two-person format can be. At first glance, Jensen and Gill’s work have seemingly little in common. Jensen’s Warms (2021) sculptures are visually...
It's been 30 years since Martin Puryear's last solo exhibition in Los Angeles—an exciting place to contextualize Puryear's work considering the city's history of burgeoning sculptural practices, especially those relating to assemblage and minimalism. The show includes...
Let me start by just getting a few things off my 28AA chest. I didn’t make it to ANY of the satellite Frieze Projects and am particularly upset about missing at least two of them—specifically Kelly Akashi’s project, Heirloom at the Villa Aurora (last week’s Pick of...
Naked, decapitated women were a favorite amongst the macho surrealists of the 1930s, projecting their desire and power onto phantom breasts and bellies. The female figures in Becky Kolsrud's surrealist paintings might also be missing heads and appendages, but they are...
The late-morning crowd lining up under the sports-car replicas on the wall of the old Paley Center was in a buzzy mood. Patiently waiting to gain access to the “Mr. Brainwash Museum” were an assortment of retirees, matrons and members of the spray-tanned classes—a...
The opening of the LA Art Show Wednesday night attracted thousands of art lovers, collectors and celebrities who came to meet artists and view artworks from around the globe. Visitors of should expect an endless stimulation of artistic imagination and creations that...
I crouch down to get a closer look at Kelly Akashi’s blooming burial mound and ponder what it might feel like to photosynthesize. An undulating imprint of the artist’s body bulges beneath the landscape like a bloated corpse. Seedlings sprout through a blanket of...
‘People are talking about….’ is the way Vogue used to frame it from the old Diana Vreeland/Leo Lerman days until well into this century. And people have been talking about Yuja Wang’s Rachmaninoff cycle since her marathon performance at Carnegie Hall less than two...
A series of diaphanous shelves hover with a brooding, eerie sense of stillness that charms and terrifies. Patrick Jackson's exhibition “Liquid Clay” presents two separate but related sculpture-based installations. Occupying most of the gallery space is a series of...
River Styx, curated by Brandy Carstens and Sara Lee Hantman, brings together a range of artists whose work is concerned with the interior and emotive forces of landscape that are spiritual, mythological, and metamorphic. Featured in the show include artists such as...
Since its inception, Pussy Riot (Nadya Tolokonnikova, Maria Alyokhina, Yekaterina Samutsevich, et al.) made the balaclava a trademark, but I couldn’t help being reminded Friday night—at the demonstration-vernissage-performance of Nadya’s Pussy Riot Putin’s Ashes show at Jeffrey Deitch Los Angeles—that it also served an entirely utilitarian purpose as an essential mask or camouflage.
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