Screenings of Bruce Baillie’s visionary short films are uncommon in the movie capital of the world, to say nothing of the known—or at least the non-academic—universe. A full-blown public retrospective of his work, then, stretched over three nights at REDCAT and the...
The inaugural show at the newly opened Moskowitz Gallery on La Brea Avenue brings together the work of four young and talented artists: Alexa Guargilia, Mitch Weiss, Bill Maass and Adam Moskowitz. Although all four bring distinct technical approaches, distinct visual...
The Palatine Hill, and the Roman Forum beneath it, is a marvelous place to visit if just for the archeology and history. Now a viewer can see how contemporary artists interact with these ruins on a large scale. The exhibition “Post Classici,” curated by Vincenzo...
Gregory Michael Hernandez makes maps, composite environments, deliberate negotiations into our collective humanity as a means of locating what appears to be a seemingly and endlessly metaphoric universe. Los Angeles figures prominently here as surrogate muse; the...
The annual CalArts-sponsored RADAR L.A. festival of contemporary theater had serious offerings this year of works outside the cultural references of the English-language. Some presentations were more successful than others, based purely on the dynamics and politics of...
The traveling art bash “Station to Station” concluded its nationwide tour in Oakland last week and it just goes to show: There’s nothing like a road trip fueled by a cool million in corporate donations for having a good time.
The inside of Steven Hull’s brain could be likened to a flowering tree in constant bloom. His newest effort, “Balcony” is an exploration into the various ways that meaning is extrapolated from any artwork, or for that matter any “thing” in the living known world....
Every now and again an artist comes along for whom the process of making art is both revolutionary and reverential. Mark Dutcher’s first solo show in almost five years, entitled "Transfer" is a visually transformative experience punctuated throughout as testaments of...
"NEW SEASON OPENINGS on Sept 18, 2013. Some great shows and people..." From PACIFIC DESIGN CENTER. Posted by Artillery Magazine on 9/27/2013 (18 items) Alisa Yang Annie Wharton Stephanie Duton and Cathy Stone at Another Year in LA Darrick Stone and Michael Hawley...
In Sarajevo, it only makes sense to remember the day that’s just passed. —Semezdin Mehmedinović, “What Will You remember?” from Sajevo Blues (San Francisco: City Lights Books, 1998), 67. What happens when a notoriously heterogeneous people is asked to deny its own...
It takes nerve to make art with glitter. And to create compelling and uncompromising paintings with sparkles and watered down acrylics is a feat of pure fabulousness. Stephanie Pryor has made it her business to be fabulous in her most recent show at Marine...
Dear Readers, Suddenly, big is all around. Big, meaning huge spaces to create art in. Big, meaning large works to hang in gargantuan galleries. Big used to be considered vulgar but now it’s vogue. Big was garish, wasteful, decadent and dumb. Now it’s smart and...
From the shaded parking lot, a stark beam of light shines through the loosely shut double doors of a nondescript white brick building. It is late morning, and the sun is already beginning to assert its presence as I approach the now-defunct Regen Projects gallery. It...
Since the 2012 opening of his eponymous Hollywood gallery, Perry Rubenstein has exerted considerable influence on the contemporary art world, while imbuing several exhibitions, such as his recent “The Humors,” with intellectual and symbolic perspectives that reference...
La Cienega Boulevard, as it traverses Beverly Hills, West Hollywood and Los Angeles, appears not to have changed much over the last few decades, until you hit Venice Boulevard. Trailing south into Culver City, the character of the boulevard shifts dramatically. What...
It is tempting—though not entirely accurate—to report that this past spring and summer, Paul McCarthy’s new work made a big splash in new york. First we had “Paul McCarthy: Sculpture” at Hauser & Wirth in Chelsea: an exhibition noted for several large, complex,...
The Los Angeles Free Music Society had its original heyday back in the 1970s, as much a dada and LSD-inspired piss-take on the high seriousness of experimental music—these were the days when Stockhausen was God—as a shaggy-dog extension of the Zappa/Beefheart/Wildman...
while a long wait line at an LA museum is a rarity, here in New York you could easily pass an hour chatting in the line for the Met or MoMA or merge with the crowds in Chelsea. Late spring, the visceral experience of looking at art together with so many other curious...
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