BUTTON UP At the opening of “Circles and Circuits” at the Chinese American Museum on Sept. 19, visitors rushing into the show picked up small buttons from the reception desk. Yes, those ubiquitous buttons at PST LA/LA shows, starting with the words “There will be …”...
Does anyone really believe that Michelangelo or Rubens painted all their works—every single stroke? Of course they didn’t. They had assistants working on their art to varying degrees, which is why numerous Old Master works are “attributed to” or “studio of.” Andy...
Alys Beach is a 158-acre community along the shores of the Gulf of Mexico, on Florida’s panhandle coast. Each of the 107 chalk-white homes and condos evoke Bermuda, Antigua, Guatemala. Residents can choose from a book of approved architects. The streets are silent....
It’s often said that the victor writes the history, and I don’t think it’s a stretch to say that men, and society in general, have been victorious in writing an exclusionary narrative after ignoring women for centuries. Art history books, museums and other established...
Half the population of Los Angeles is now Latino, but its signature industry, the film business, fails to include a significant number of Latinos in feature films or deal with stories that may be especially relevant to their lives. This fall the Academy of Motion...
Apocryphal notions, like northern superiority and European “discovery” of land already populated, pervade the Western Hemisphere. Even before Thomas More’s 1516 book Utopia, our so-named New World has been a locus for European fantasy projection. Currently on view at...
Mimi Pond is a legendary figure in LA—part of the generation of independently-minded cartoonists nurtured—then dumped—by the alternative media, she also wrote the first-aired episode of The Simpsons (before being expelled from the bullpen) as well as contributing to...
We all know The Blue Boy (c. 1770) by Thomas Gainsborough, and for some of us there is a special attachment, while others only know it because it is famous. What most people don’t know is who the blue boy in the painting is, and that’s because it isn’t important....
Dear Babs, I like Artillery because there is a variety of art and articles. Most recently I was shocked (kind of) like you when Anonymous, Los Angeles wrote you with the title “I Get No Kick From Champagne.” The writer explained “I was invited to a private art preview...
Wendy Watriss is an award-winning photographer, journalist, curator and co-founder and artistic director of Houston’s FotoFest. In the wake of a season of climate disasters unfurling across the Gulf and Caribbean following only a year after FotoFest’s 2016 biennial,...
The singularly remarkable thing about Ken Gonzales-Day’s re-creation of his breakthrough 1993-96 photographic project, “Bone-Grass Boy: The Secret Banks of the Conejos River,” is the infinitely expansive temporal envelope it seems to occupy. This is more than...
Much like the Jorge Luis Borges book after which it is named, the 18th Street Arts Center’s PST: LA/LA exhibition addresses history and its delineations, whether entirely or partially fictitious, in order to question the role of master narratives in general, and...
“The Collective Memory of the Worst Place to Live in the World Today If You Are Not White” is a small but nicely arranged exhibition comprised of Alejandro Cartagena’s current and previous work, contrasting Santa Barbara, California with Monterrey, Mexico. The main...
Densely fretted and motion activated and crying out for every metaphorical use of the word string from art to design, music to physics, three new bodies of work by Brian Wills expand and deepen his relationship to his material muse—colored thread. A star in the...
Mark Steven Greenfield’s works explore the complexities of the African American experience, speaking to personal as well as universal themes. While earlier works explored stereotypes characterized by black cartoon characters and Blackface minstrels, in his current...
“Revolution and Ritual,” while very narrowly focused on three Mexican women photographers, seeks to address in broad strokes changes in ideas about Mexican identity through the work of Sara Castrejón, Graciela Iturbide and Tatiana Parcero, whose careers together span...
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