If, as John Berger writes, “Oil painting… is a celebration of private property”, then Street Art is the equally joyous appreciation of public property. This difference is due to the nature of the work and their contrasting environments: Graffiti beats the streets...
HEY MISTER, WANNA BUY A BANKSY?
In May this year, a Millennial identifying himself as the You Tuber Reckless Ben Schneider entered a Los Angeles gallery and told the art dealer there that he had a Banksy painting with him. The LA Art Dealer said he’d like to check it out, so Schneider pulled a...
Shot By Both Sides
The primary icon of Low Brow Art is also unfortunately one of the most corrupting and dangerous icons of mainstream culture. It should by all rights and agreement be stuck on the business end of a spear and left out to rot in the streets for the amusement of the...
“Let them eat cake and charge it please and thank you very much.” – Break Bread at Think Tank Gallery
We don’t ordinarily think of pastel colors as carrying the power or intensity of the deepest, most vibrant primaries, especially red; or for that matter a dense black or sharp black-and-white contrast. But pastels can have great associative and mnemonic power, in many...
Mélancolie to Exhilaration from Studio to Street
There was astonishing buzz around Philippe Quesne’s La Mélancolie des Dragons at REDCAT last Wednesday night; and as a sucker for avant-garde theatre, I simply had to be there, heat or no heat. I felt cooler just looking at the stage set, which resembled a forest...