Absorbing and jocular, Stars’ current exhibition, “Janet Olivia Henry’s Recent Academic Abstractions,” is where tableaux dioramas become the central force and unique vantage point from which deliberate performance emerges from assemblage and sculpture. In Wrought:...
Carolyn Castaño's “Otros Seres” (Other Beings) exhibition at Walter Maciel Gallery is an exhilarating eyeful of stealth environmental disaster. Castaño, of Colombian-American heritage, is well-known for her early extravagant and provocative Garden Heads...
Feathers, fur, gills, horns, tails (spiked and scaled), claws, talons, hooves, and forked tongues are some of the characteristics that adorn Evangeline AdaLioryn's strange amalgamations. The locust of the exhibition, "Her Labyrinth," presents an assemblage of...
He had five of them—hats that is. Part cowboy, part fedora—they saw him through the presidency like stalwart protectors. They gave him confidence. They engendered a swagger. They saw him through the race riots, civil and civic unrest, and the anti-war protests that...
In this group exhibition of artists based in Germany, curated by the Cologne gallery DREI, the videos, paintings and photographs come together to comment on surveillance and pop culture, creating a sense of eeriness and familiarity within the show. Featuring the works...
Now known as the Black National Anthem, Lift Every Voice and Sing , written by James Weldon Johnson and composed by his younger brother, J. Rosamond Johnson iterates the definition of resilience by stating: Sing a song full of the faith that the dark past has taught...
Blood is unsightly in the flesh. Witnessing a bleeding person, one might turn away—or worse, be overcome with nausea and faint. For a substance essential to our functioning, to life itself, its image provokes extreme distress. If we were to trust our physiological...
Appearing as if they are on the verge of moving, Yuji Ueda’s ceramic vessels are complex, layered and their own abstracted compositions, both planned through his methodical process yet a surprise from the firing process. Based in Shigaraki, Japan—a place famous for...
Thank you to everyone who submitted their documentary photographs to the Code Orange column over the past eight years. A special thanks goes out to Tulsa Kinney, editor of Artillery and staff, my assistant, Ceci Arana, the Robert Berman Fine Art gallery and staff for...
In “Biel Lieb,” Olivia van Kuiken’s inaugural exhibition at Château Shatto, oil paintings of untamed, bold color and mark-making swing between styles of ink wash, graphic novel, pixel and gestures on the verge of becoming scripture, spellbinding the gallery. Fuchsia,...
Literati yet to meet Brittany Menjivar can now do so through her hardcopy publishing debut, a slender prose/poetry collection titled parasocialite. As a cheeky culture correspondent (a Salvadorian born in the DMV) and founder of Car Crash Collective (a late-night lit...
Conveying narratives of girlhood, Jane Corrigan’s gestural oil paintings are like snippets from a coming-of-age book—whimsical and playful, they straddle imagination and reality, showing her subjects situated in domestic or nature scenes, her expressive brushstrokes...
Will Hutnick’s practice resists easy categorization. While largely using the language of abstraction, his mixed media paintings also borrow elements of glitch art with seemingly disjointed imagery that is somehow both static and in motion as patterns, shapes, and...
In January I was chatting with Jack Skelley, the author of The Complete Fear of Kathy Acker (FOKA) published last year through Semiotext(e). We spoke about how young writers are connecting with the older generation in the Los Angeles writing scene—it feels a lot like...
In her multimedia installation at Gattopardo’s new location, Jennifer West combines images of outer space with those of spiderwebs, highlighting their organic and geometric patterns—drawing parallels between stars eons away and glistening dewdrops caught in a web, her...
Last week, an abandoned home in the hills of Mt. Washington, once infested by raccoons and possums, transformed into "Revel Hall," a temporary exhibition space showcasing Amelia Lockwood's raw, altar-like and talismanic ceramics alongside Chris Lux's admirably crooked...
Does humor belong in art? The late Canadian multimedia artist Rodney Graham evidently thought it did. But Graham’s humor, on display at the Lisson Gallery through March 23, is of the companionable sort: gentle, slightly self-deprecating, never sarcastic or cutting,...
To be sure, George Washington was an honest fellow by all accounts, smart and upstanding, and yes, his father did buy him a hatchet when he was six years old—hoping perhaps his son might become a lumberjack, or at the very least, an arborist. Instead, Washington...
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