Dear Reader, I admit to being a Luddite when it comes to preferring a paintbrush to the computer. So, when artists gained access to AI-generating tools, I wasn’t that impressed, nor alarmed. There seemed to be a lot of hoopla and fearmongering about the prospect of...
July/August 2022
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From the Editor
ART FOR DUMMIES Sophie Becker and the Ventriloquy Redux
Often seen as an eccentric art form, ventriloquism has resurfaced and gained popularity again in mainstream culture over the past few years, from televised talent competitions (three ventriloquists have won America’s Got Talent: Terry Fator, Paul Zerdin and Darci...
STAYING INSIDE THE LINES Painting AI's Possible Future
Many consider the AARON project the earliest use of AI in artwork. If AI is the most recent and advanced example of humans using automated processes to make art, then its history goes back much further. So why all the fuss now? Is AI so different than John Cage...
From Mortar To Metaverse
Eth, bit, sol, meta, block chain, bored apes, crypto punks, kitty litter squad, non-fungible, minting, mining, tokenizing, gas fee, hot wallet, cold wallet, generative NFT, destructive NFT, candy machines, early adopters—yes this is English—just not the English of our…
Pioneering Petra Cortright
Petra Cortright’s URL, www.petracortright.com, could be considered a work of net art. Practitioners of net art (beginning in the mid-1990s) often used the internet as their medium, sometimes populating their pages with images and data from other websites. Cortright’s…
Nancy Baker Cahill Challenges the Limits of Perception
In 2017, my friend—artist/curator Nancy Baker Cahill—invited me to see the art she was creating using virtual reality technology. Until that point, I knew Nancy to make ambitious drawings and otherworldly videos depicting abject, flesh-like topologies; works…