“She’s famous for her use of negative space.” The security guard’s soft voice wafted over to me from the corner of the gallery. I stood in the white cathedral of LACMA’s Broad Contemporary building, narrowing my eyes at a huge expanse of what looked like nearly nothing. MacArthur “Genius” Grant-winning Toba Khedoori’s massive and recondite oil-on-wax drawings of a table and a chair, a...










