Los Angeles–based artist April Bey fuses her fine arts education with a background in design to create rule-based hybrid works that intertwine a host of materials such as caulking, resin and wood along with low quality sewing needles, thread and Hitarget wax fabric, produced in China and specifically marketed to impoverished black women. In her new series, “Afrofuturist Womanism,” Bey gives us...










