In the perennial discussion of which of the several distinguished art schools in Los Angeles is the best, the Roski School of Art and Design at the University of Southern California has always been a contender. Until now. This year the Roski School, with its late-model studios and its dozen-odd full and associate professors and as many more lecturers and adjunct professors, will minister to a...
Education either functions as an instrument which is used to facilitate integration of the younger generation into the logic of the present system and bring about conformity or it becomes the practice of freedom, the means by which men and women deal critically and creatively with reality and discover how to participate in the transformation of their world. —Paulo Freire, Pedagogy of the...
This summer we’ve had the extraordinary opportunity to time travel, and see the work of two artists, generations apart but both deeply moved by a need to reflect on the history of racial discrimination in this country. Through their work and careers, we see how times have changed, yet also how underlying dynamics have remained the same, sadly. A survey of the work of Noah Purifoy, “Noah...
Popular music is increasingly a topic of exhibition in the museum and gallery world but I’ve found its presentation can be either overwhelming or underwhelming. After all, how can the curator condense an experience so visceral like performance—an act itself at once singular and communicative—into a walk through display of objects? The Skirball Cultural Center in Los Angeles has managed to do...
Last Sunday, instead of curling up to watch an episode of Orange is the New Black and calling it a night, I headed to Venice Beach where art collectors Mike and Diane Silver had opened their gorgeous canal-front home for “Nude Survey Two,” where the established Plein Air painter Alex Schaefer would be exhibiting a new series of works as well as painting from two female models on the spot....
How often have you found yourself saying, “I would bring my business here, if only they had more generic, mall-safe, focus-group chosen art on the walls?” Surrounded by more museums, galleries, and out-of-work MFAs than in any other city, these SoCal establishments have decided against partnerships that could create unique site-specific works, and have instead trusted the curatorial choices of...
There are many versions of “space” in the art world, from the high gloss of a pristine museum exhibition to the cozy confines of a pop-up gallery hosted in a rented living room. Somewhere in between, catering to the general public but sustained by the upper echelon of the art audience, stand the nonprofit art spaces. Nonprofit art spaces are an established practice in New York and some of the...
The artistic landscape behind the orange curtain—aka the Orange County line—is vastly different from that of Los Angeles with its numerous galleries, studios, co-ops and art neighborhoods. The OC art scene is large but intimate, with a handful of key players operating in different forms and styles. Since much about OC is tied to real estate, money and politics, galleries have a high overhead,...
“People come and can’t find the building.” Skira Martinez smiles. “‘There’s no sign! Where does it say CIELO?’ They have an image in their mind of what it’s supposed to look like… but it’s low-key and nondescript.” Martinez props temporary, hand-lettered signs in her planters along 32nd Street to direct audiences to her South Central Los Angeles warehouse, a space defined not only by a location...
Alongside Los Angeles’ mainstream exhibition spaces, an eddy of alternative art venues swirl for a time, submerge and disappear, enjoying varying degrees of notice. A few of these combine entrepreneurial efforts along with more altruistic programming, reflecting the difficult financial realities of opening a space. Some venues rent out their facility for private parties, charity galas or other...
Few grasp the power of language to be visually enthralling while expanding our consciousnesses as well as Lindsay August-Salazar, whose solo show at Lowell Ryan Projects, “There’s No Place Like No Place” brings these questions to the forefront. Employing vibrant color...
Various sizes of square panels mostly covered with dots with groups of parallel lines and occasional fields of paint line the gallery walls of Locks Gallery in Jennifer Bartlett's installation "Recitative"—its title derived from a rhythmic free form vocal style of...
“As the World Turns” is an apt title for Leigh Salgado’s fourth solo exhibition at Launch Gallery. Many of the graceful works are circular, globe-like. A lush world of beauty that also evokes ideas of the circular nature of life: our annual passage around the sun, and...
My first review for Artillery Magazine – almost two years ago now – was for my favorite museum in southern California, The Norton Simon. I recently went back and reread that article, and I found that my own writing was, to be kind, academic. Dry as a bone, really....
Wild, wonderful and wistful—this survey of Pipilotti Rist at the Geffen Contemporary is long overdue in this town, where she has rarely been shown. “Big Heartedness, Be My Neighbor” is a trippy series of multimedia installations with videos and immersive projections...
The show’s original incarnation was the culmination of the artist’s residency in Critical Race Studies at Michigan State University’s Lansing campus from August 2020 through May 2021. Fastening onto the campus’s most prominent landmark—the statue of Michigan State’s...
LA-based multimedia artist Michael C. McMillen is known for his immersive, meticulous, set-like installations that make you feel like you’re trespassing on all-too-familiar scenes from the recent past. Life-like props and details, some fabricated and some found––a...
Sean Raspet’s debut at VSF-LA is both an invitation to critically examine anthropogenic climate change—and how we are all implicated—and a series of proposed bio- and geo-engineering solutions for ameliorating the effects of the escalating climate crisis. Raspet’s...
While technically strictly paintings, a new suite of large-scale portraits by YoYo Lander involve extensive collage—crucially, collage executed not from spliced photographs or culled ephemera, but from an endless trove of her own watercolor washes on paper. While in a...
A full moon hangs demurely in the upper left of Serena Potter’s painting Nighttiming (2019) like a wheel of Babybel cheese. Beneath it, on the crest of a forested hill, a scene of lunar revelry: a man and woman in office attire, and another woman in striped pajamas...