When I heard the title of Jose Dávila’s recent book, Daylight Found Me with No Answer, it sounded familiar. During the years I was living in Guadalajara, I frequently talked with Dávila and other mutual friends at endless parties that lasted until dawn. But I hadn’t seen Dávila since those distant days and this was the first time I had ever paid him a studio visit. He was finishing a public...
Every morning I wake up and see At Home with the Nortes (1990). In this black-and-white photograph, a family sits in the living room watching television. This could be construed as a typical family activity, but the family is hardly typical in Laura Aguilar’s depiction. Each face of its four members—two young boys, father and mother—is made up in the style of the Mexican Dia de los Muertos. The...
Even more than its predecessor, the first Getty Pacific Standard Time initiative that ignited Los Angeles’ arterati six years ago, PST: LA/LA conjures a kind of Aleph-like quality in its ambition to encapsulate at its widest points the art of an entire continent, an archipelago of islands, and the appended LA metro region. Geographic and other (cultural, historical, colonial, identity, conquest)...
Mid-Wilshire 1301PE Jorge Mendez Blake 0/9–10/21/17 1301pe.com Sprüth Magers, Los Angeles David Lamelas: “Time as Activity” 9/7–10/21/17 spruethmagers.com The Loft at Liz’s “South of the Border” 10/8: 7–9pm: author Eileen Truax panel discussion 10/17: 7–9pm: “Alienated” special performance by Johan Miranda theloftatlizs.com JACK RUTBERG FINE ARTS Hans Burkhardt in Mexico 9/23–12/23/17...
Dr. Lourdes I. Ramos was recently appointed as President and CEO of the Museum of Latin American Art in May. Previously, she served as Executive Director and Chief Curator of the Museo de Arte de Puerto Rico for 12 years. She is the first Latina to hold the position at MOLAA. How has the museum field recently changed for women, specifically Latina women? The presence of Latina professionals in...
Holland has an illustrious past and rich history in art, from golden age painters Rembrandt and Vermeer through modernist legends van Gogh, Mondrian and the de Stijl group, Cobra Dutch artists and expatriate Willem de Kooning, to enigmatic Conceptualist Bas Jan Ader, who disappeared in 1970 sailing a small boat across the Atlantic Ocean. Today, there is a thriving art scene centered around...
Cesar Cornejo sees artists as outsiders. They confront things that other people won’t—or can’t—see, the Peruvian-born artist told me in an interview in May, three days after the opening of “Building As Ever,” OCMA’s 2017 California-Pacific Triennial. His site-specific installation in the Triennial is part architectural intervention, part sculpture/ architectural model built out of materials...
Tijuana’s most famous contribution to art is the painting of zonkeys: combining donkeys with zebras so the pale Equus would stand out in black-and-white photographs. This is a paraphrased version of what I’m told when I mention I’m heading to Baja for cultural endeavors. The other thing I hear is advice not to go because I will be killed. Both responses are related. Founded during Prohibition as...
I landed in Barcelona a little sweaty, slightly hung over, and very much lost. Much to my surprise, the discount tickets I purchased for $350 round-trip included three meals, unlimited snacks, and all-you-can-drink beverages (including alcohol). By the end of the 13-hour flight from LAX, I had the sneaking suspicion that Delta’s flight attendants were trying to fatten us all up for a cult ritual...
In the earliest days of his unlikely, unfortunate campaign for president, billionaire Donald Trump declared in 2015: “Sadly, the American dream is dead,” adding special emphasis on the last word, delivering the bad news like a judge slamming down a gavel. As in many things uttered by our gilded president, the truth lies somewhere in the opposite direction, with Americans still grasping for...
The ornate paintings depicted in Robert Ginder’s first solo show at Craig Krull Gallery induce nostalgia, especially for those Angelenos. Palm trees, long-standing businesses, bungalow-style homes, and points of attractions rise from their gold leaf-encrusted wooden...
I’ve always enjoyed the playful and uninhibited spirit of summer group shows, unbridled by the circuits and agendas of the art market. Chirs Sharp’s exhibition, “A Minor Constellation”, perfectly exemplifies this kind of delightful candidness. The show features a...
Co-curated by Liz Gordon (of Loft at Liz's) and Monique Birault, the 15th iteration of Gordon’s ecologically driven “Diverted Destruction" is both exciting, and more visually spare than past exhibitions. Rather than filling the main gallery space with smaller pieces...
Artists Casey Kauffmann and John de Leon Martin have created a super-collage at Human Resources, Los Angeles. A messy collision of screens, drawings and passionfruit vines engulf the gallery space with the intention to bamboozle. The duet’s maximalist installation...
Cornelia Parker's landmark retrospective at Tate Britain journeys through her multimedia work to narrate a country willingly stuck in small-island-energy. Parker (b.1956) examines objects by considering how they change when their associated value is disrupted,...
Russian exile Lev Rukhin creates grand works of realism tinged with just enough peculiarity to suggest doubt. They are dreamlike—much of the imagery is suspended in a nimbus—and implies both memory and trickery. This device is quite intentional; the exhibition is...
The first iteration of Documenta, curated by Arnold Bode, took place in 1955. Since then, every five years for 100 days, Documenta occupies the city of Kassel, Germany. More often than not, it is an international showcase of current trends and ideas in contemporary...
The City of Namara is a fictitious place created by Robert G. Achtel. In the photographs that define this curious and digitally fabricated location, Achtel presents Namara as a place devoid of people and filled with modernist architecture. Each building is shot...
If the endpoint of a viewer's perception in art is to re-create something in the mind's eye through one's own experience of the artwork, then the work of art is demonstrative. It acts as a catalyst for the imaginative re-creation of something the artist is pointing at...
Having gone through a recent breakup, the theme of Sam Anderson's show, "Lunch Hour," felt all too familiar as the artist examines cyclical narratives of desire and disappointment. At first glance, the show at Tanya Leighton gallery feels like a departure for those...