Narsiso Martinez shapes richly detailed images of farm workers in oil, charcoal and ink wash—with discarded produce boxes as his canvas. A simple trip to Costco for pizza proved revelatory for the artist, when he found a purple-and-yellow banana box at the store. When drawing on that material, his spare and beautiful work evolved. The artist combines images of the people who bring produce to...
Known as a pioneer of the farm-to-table dining movement, Michael McCarty founded his first restaurant, Michael’s, in Santa Monica in 1979. Ten years later he would open his second location in Midtown Manhattan. Michael and his wife, the artist Kim McCarty, would become known as true friends and patrons of artists—collecting, providing alternative exhibition space in their restaurants and often...
When is a painting high art, and when is it just nice wallpaper? On May 10, I learned the answer to this question when attending ARTXFOOD’s inaugural art-themed dinner, Hallowed Ground. ARTXFOOD is produced by ArtCubed Los Angeles, which hosted a “part salon, part summit happening” at Goya Studios. The event involved eating a fancy dinner designed by celebrity chef Richard Blais while surrounded...
Food allures our ocular faculties as much as it gratifies our alimentary and salivary organs. We devour visual stimuli with our eyes just as we ingest edibles through our mouths. It thus seems felicitous that the word “taste” applies to aesthetic predilections as well as culinary concoctions. Art is cultural sustenance, food for thought. “You are what you eat”: No wonder victuals have served as...
June is LGBT+ Pride month, and it also marks the month of the third annual Los Angeles-based Queer Biennial, founded and curated by Ruben Esparza, which opened on June 1, titled “What if Utopia?" I have to admit that I am disappointed by this queer biennial, unlike the prior year’s that I praised for its inventiveness and intriguing images and performances—even as it reckoned with the heavy...
It’s an uncharacteristically cool, rainy afternoon when I climb the steps to Judie Bamber’s home and studio in a neighborhood off Sunset. As I enter her studio—a surprisingly spare and self-contained space—a rectangle of golden light seems to float on an easel set up at the rear of the room, seemingly appropriated from some magic hour we’re bound not to see on that particular day. As I move...
Shuffle the cards. Masculine? Feminine? It depends on the situation. Neuter is the only gender that always suits me. — Claude Cahun Thinh Nguyen is a non-binary artist who calls our attention to the constructed nature of our ideas about race and gender. Nguyen challenges the dualist thought that dominates so much of our public discourse: the fraught oppositions of fixed cultural...
When Carmen Argote was 17, her father took off for Guadalajara, Mexico, back to his hometown and his dream of living in a house he had designed for himself and his family. However, his wife felt quite settled in Los Angeles—their two children had grown up here, her own mother was here. He ended up leaving on his own, riding away on his prized Moto Guzzi V11 EV motorcycle. It was a painful split,...
Los Angeles–based artist April Bey fuses her fine arts education with a background in design to create rule-based hybrid works that intertwine a host of materials such as caulking, resin and wood along with low quality sewing needles, thread and Hitarget wax fabric, produced in China and specifically marketed to impoverished black women. In her new series, “Afrofuturist Womanism,” Bey gives us...
On the evening of June 25, 2016, a group of gorgeous mutants rushed out of The Broad museum and began loving themselves and each other on South Grand Avenue. This band of performers, known collectively as Mutant Salon, is run by the LA-based visionary artist Young Joon Kwak. The collective had assembled at the beginning of the evening inside the Broad’s tiny Oculus Hall, as a part of the summer...
Luciana Abait’s survey exhibition “On the Verge” features twenty works of various mediums including painting, photography, sculpture, video installation and an augmented reality. Each work is a wondrous landscape both magical and tragic. The magic comes from the...
Luminous, pastel colors abound in new paintings from Lily Stockman’s solo show “The Tilting Chair” at Charles Moffett in New York. Overall minimalist in style, Stockman’s abstract works are full of circles, ovals and petals resembling the plants and flowers referenced...
There are no straight lines or perfect circles in Physics, there are only currents, vortexes, distorted electromagnetic fields, impossible matter and beings in a reflexive state of becoming—morphing, deforming, sprawling and spilling out with each aberrant encounter....
"Spirit of the Land: Artists Honor Avi Kwa Ame" fortifies the work of activists—including the show’s curators, Checko Salgado, Kim Garrison Means and Mikayla Whitmore—who catalyzed the introduction of a congressional bill this year that would designate Avi Kwa Ame...
Will Rawls’ solo exhibition, "Amphigory," at Adams & Ollman in Portland, OR binds a weightless density to a lexicon of its own creation. Multi-panel installations of black & white abstract prints on paper line the three walls of the gallery space, as well as...
Dancer turned artist Madeline Hollander is best known for performance works that explore the evolution of human body movement and the intersection between choreography and visual art. She has begun to show her pieces in galleries and museums, creating large-scale,...
Three movement artists—Maria Gillespie, Nguyên Nguyên and Kevin Williamson—are grandly projected on as many walls but revealed in divergent locations. The panoramic videos depicting the bodily trials of these artists in demanding landscapes envelop the 2800...
I’ve always imagined Angela Dufresne as an essentially cinematic artist whose high-concept films end up expressed as series of painted works on canvas. It’s as if she went directly from film school to a major film production in trouble, where the executives have...
The lighting is low. The furniture and wallpaper appear disheveled. It soon becomes clear that everything is dilapidated; floor cushions are deformed, lumpy and discolored. The couch is disproportionate. It faces a scarred wall where instead of a fireplace there is a...
Kristine Schomaker began “Perceive Me” as a personal project, a collection of unique works in disparate mediums, each piece revealing Schomaker herself. Her vision of the exhibition, however, has changed since she began the project in 2018. What began as a personal...