Frances Colpitt, renowned art historian, author, curator, feature writer and contributing editor for Art in America for over 20 years; teacher and mentor, died in her Fort Worth, TX, home September 12, 2022. Colpitt, who recently retired from her position as the Deedie Potter Rose Chair of Art History, Texan Christian University School of Art was working on a third book about minimalism and formalist perspectives—the subject of her expertise.

In addition to her MA in Humanities from the University of Tulsa (TU) and a Ph.D. from the University of Southern California (where she taught for many years), Colpitt had also earned a BFA from TU which served her well in understanding and describing the nuances of the artistic process with her subjects, many with whom she became close friends including LA artists Donald Judd, Ed Moses, Jim Hayward and Edith Baum Hudson.

Colpitt’s two books: Abstract Art in the Late Twentieth Century with Cambridge University Press, 2002, and Minimal Art: The Critical Perspective, Seattle, University of Washington Press, 1993, have become educational staples in art history curriculums.

A prolific writer, Colpitt penned hundreds of articles, museum and commercial catalog essays, gallery brochures, reviews, news stories as well as formal papers for many premiere magazines including Artillery, as well as galleries, and museums.

Director of the TCU School of Art, Dick Lane remembers Colpitt: “TCU’s School of Art had been Fran’s home base for the past 20 years. We were so fortunate to have had her be a part of our community of artists and art historians. We are just now beginning to feel the loss of a great colleague who was a brilliant researcher, writer and thinker. From where I sit, the loss of Fran who had a really great sense of humor and irony, means that my days will be a little less than they were. She was a one-of-a-kind special person and we were lucky to have her as part of our team for as long as we did. She will be greatly missed by faculty and in particular our graduate students who just absolutely loved her courses.”

Despite her academic prowess, Colpitt was ever accessible with a quick wit and an even quicker, infectious laugh. Humble, Colpitt would be loathe to read this account and would quickly dismiss the attention. She will be missed not only by friends and family but by colleagues, students and readers who will be at a loss for her insights and gentle turn of phrase.

—Michael Delgado