Articles

Reframing A Ritual
Allana Clarke Wrestles New Meaning into Hair Bonding Glue

I’m often asked which artist or artists interest me the most, or some variation of the question. For the last year-and-a-half since I saw her work in “Un/Common Proximity,” a group show at James Cohan in New York, my response has been Allana Clarke. Before this show, the Trinidadian-American artist had already made a name for herself with videos, performance, photography and text-based works...

Re-Imagining an Impossible Future
Marshall Brown Finds Beauty in Dystopia

by Renee Reizman

One half of Chicago’s famous corn cob buildings, formally known as Marina City, floats above a winding road in a mountain pass. It pierces a white void, which highlights the building’s delicate edges, the bite marks in its ocular facade. Below, light streams through an open pit, illuminating a subterranean realm. There are thin, precise incisions along the collage, which are then mended with...

Publication in the Age of Negation, Part IX
In the Region of Pure Art

by John Tottenham

Jim Brooklinen’s rapturous response to reading my novel in its entirety had exceeded my wildest hopes. Not only had the veteran New York literary man hailed it as “the finest new work of sustained prose I’ve read in a very long time,” and expressed a genuine desire to attach himself to its inception, he had also confidently stated that it would have received an equally fervent endorsement from...

The Life (and Death) of an Artist
Helen Molesworth's true crimeification of Ana Mendieta

by Lauren Guilford

Ana Mendieta's work is as much about life as it is about death. Attuned to the sacred bond between bodies and land, Mendieta regarded nature as a sensitive and emotive force entangled in culture and politics—a messy assemblage of energies and ideologies embedded in life and soil, crossing borders and spanning timelines. These forces can be traced in earth's geological terrain and detected in its...

Birds of a Feather: An Interview with Artists Katy Crowe and Margarete Hahner
Katy Crowe and Margarete Hahner: Moulting at LA Tate Gallery, Los Angeles

by Julie Adler

At the beginning of the pandemic, April 2020, LA artists Katy Crowe and Margarete Hahner bumped into each other, waiting in line to get into Trader Joe’s. There, they decided to start working on a project together which would involve painting on each other’s paintings. While some people got busy fumigating all their groceries, baking bread, learning how to play piano or binging Netflix, these...

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Reviews

GALLERY ROUNDS: Bruce Richards
Sea View

For naïve or semi-initiated Los Angeles art-goers such as myself, a visit to “Soundings,” Sea View’s summer exhibition, might elicit two questions. Who is Bruce Richards? And why does the show’s concurrence with the Ed Ruscha retrospective at the Los Angeles County...

PICK OF THE WEEK: “Bruts”
David Kordansky Gallery

In this group exhibition of 15 artists, Rashid Johnson splendidly arranges ablaze and brooding drawings, paintings and sculptures into a pristine playlist. From Huma Bhabha’s uneasy cork, wood and cardboard ancient being and Bill Traylor’s acutely simple and lyrical...

GALLERY ROUNDS: Gretchen Bender
Sprüth Magers

In 1987, Cindy Sherman interviewed Gretchen Bender for BOMB Magazine, discussing the influence of her work on mass media. Bender denied the relationship between the two and instead described media as a ‘cannibalistic river without a conscience,’ invoking the image of...

PEER REVIEW
Tom Knechtel on Thomas Antell

Tom Knechtel, a Los Angeles–based artist who shows with PPOW in New York and Marc Selwyn Fine Art here in LA—where his exhibition, “The Hare in the Studio,” just ended in June—is known for his intricate paintings and drawings, often depicting himself, animals and...

Claire Chambless
Carlye Packer

Transformation in its most expansive and contradictory sense was at work throughout Claire Chambless’ exhibition, “Role Play.” Both individually and taken as a choreographed ensemble, the work—while clearly influenced by such abstract surrealists as Miró and...

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