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“The Collective Memory of the Worst Place to Live in the World Today If You Are Not White” is a small but nicely arranged exhibition comprised of Alejandro Cartagena’s current and previous work, contrasting Santa Barbara, California with Monterrey, Mexico. The main...
Densely fretted and motion activated and crying out for every metaphorical use of the word string from art to design, music to physics, three new bodies of work by Brian Wills expand and deepen his relationship to his material muse—colored thread. A star in the...
Mark Steven Greenfield’s works explore the complexities of the African American experience, speaking to personal as well as universal themes. While earlier works explored stereotypes characterized by black cartoon characters and Blackface minstrels, in his current...
“Revolution and Ritual,” while very narrowly focused on three Mexican women photographers, seeks to address in broad strokes changes in ideas about Mexican identity through the work of Sara Castrejón, Graciela Iturbide and Tatiana Parcero, whose careers together span...
Kinetic Art, like so many postwar movements, arose simultaneously in several disparate corners of the world, coalesced in the late 1950s and early ’60s, and derived from prewar tendencies whose revolutionary aesthetics and idealistic spirit seemed appropriate to a...