Dear Reader,
Seventeen years—that’s a long time. Most relationships don’t last that long. That number has now outlived all my other jobs; I’m referring to my relationship with Artillery. I started this magazine with my late husband in 2006, who warned me: Once you begin, you can’t go back. Boy, was he right about that. I can’t call in sick, never take a vacation or even a personal day during deadline. This is one of the most committed relationships in my life.
Even though it’s a huge responsibility, like any relationship, things can change throughout the years. Hopefully one improves with age, develops other new relationships, changes one’s look—maybe even get a facelift? (We are in Hollywood!) Well, it seemed like it was time for that makeover, and you’ve probably noticed right away that this editor’s letter looks different. Keep turning the pages (after you’ve read my letter!) and you’ll see our splendid new redesign throughout the entire magazine. Creative Director Bill Smith headed the new look and did a great job, along with designer Dave Shulman. They put in long hours in collaboration with Publisher Alex Garner and me. We’ve changed our body text, hopefully for more legibility, and added some new subtle bells and whistles. We’ve expanded our layouts to highlight more visuals—we are an art magazine, after all.
Besides the new look, we’ve added a new column, “Peer Review,” which looks at the practices of two artists. In each issue, a contributor will invite an artist whose work they admire to talk about the work of another artist, one of their peers, that they are drawn to. For this issue, Alex asked New York–based artist Fin Simonetti to participate, and she chose Ambera Wellmann, who recently had a show in Turin. Be sure to check out Simonetti’s impressive marble sculptures and stained-glass works in an upcoming show in Los Angeles this fall.
Our theme, Systems of Power, features artists whose works are politically and socially engaging, questioning and challenging the system. Can art change anything? This has been an ongoing discussion in Artillery since day one, and by now it has almost become a rhetorical question. New contributor Cat Kron talks with Martine Syms about her autobiographical films. Longtime contributor Christopher Michno writes about artists who deal with the environment, specifically climate change. East Coast reviewer Sarah Sargent gets her hands on the powerful book Redaction, co-authored by Titus Kaphar and Reginald Dwayne Betts, both of whom are prepared to take on the systemic racism in our penal system. And Bianca Collins talks with Indigenous artist Mercedes Dorame about her latest installation at the Getty Center.
We hope you’ll enjoy our September issue as we celebrate our 17th anniversary, with a new look and our stalwart regulars mixed in with new writers and reviewers. It seems hard to believe we’ve been around this long, but I guess some things never grow old.
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