Over the course of a single day, a man saws a house in half. A silent and extremely filmic flickering of light and shadow, hand-held shake, spliced establishing and detail shots, and occasional shirtless cameos by the artist and his assistant, filthy with house-innard...
The people depicted in Ally Rae Peeples’ exhibition “Crowd Surfing” resemble how they might see themselves while on hallucinogens or in a house of mirrors, where bodies become distorted, facial expressions are exaggerated, and distinctions between figure and ground...
Incorporating sound, painting and sculpture into his work, Santipreecha addresses political histories and climates from a range of places through his methodical, layered process—an engulfing triptych responds to the war in Ukraine, a cement painting probes the history...
An avowed pacifist and activist, Pedro Reyes is known for his sculptures that subvert the potential violence of guns by transforming them into shovels for planting trees or musical instruments played in performance. In his current exhibition of recent sculptures and...
One expects certain things from a good ceramic biennial: personal visions, agile skill sets, revelatory juxtapositions, and an insightful contemporary theme to weave them all together. Happily, this third iteration of the clay biennial at the Craft Contemporary,...
History tells us that the highly refined, discreet object imbued with emotional resonance is an artistic choice largely made during a bygone era when the likes of such artists as Johannes Vermeer stood before a blank canvas, choosing to illuminate the specificity of...
In Malian-American artist Penda Diakité’s transformational paintings and collages, every element is much more than what it seems. From her impossibly detail-rich photocollage to her unique technique of hand-engraving surfaces—and the historical cosmology of her...
A viewer unfamiliar with Blair Saxon-Hill’s previous work might be inclined toward certain assumptions about the foundations and precedents for her style and approach to her subjects—figurative, abstracted or quasi-symbolic—or even what her subjects might actually be....
Bryan Ida’s recent paintings of nature and its animal inhabitants examine the perilous plight of both in the face of increasing threats to the planet. With forests continuing to be torn down by industrial enterprises and climates becoming increasingly erratic, the...
Painting is, quite possibly, my least favorite visual medium. I’m not being disdainful, far from it—it’s simply that I gravitate toward mediums that are more immersive. That said, I was curious to see Paul Paiement’s recent exhibition, “Nexus,” as he created many of...
Throughout his long and distinguished career, Dawoud Bey has used his camera to document his surroundings, looking closely at people as well as the places they live. Interested in the natural, social and political landscape, Bey has made multiple series that trace a...
With Artificial Intelligence, or AI, on everyone's mind, it seems pertinent to go back in time to 1952 and think about a pre-digital world, a time before the personal computer, cell phones and social media. The exhibition "Coded: Art Enters the Computer Age,...
Martine Syms’ solo exhibition, “Loser Back Home,” is an epic, multidimensional collage of material and media. It's a labyrinthine of various avatars and personal significations spanning video, photography, painting, drawing, and sculptural installation, forming a...
A native of the San Fernando Valley, painter Karla Klarin has long been interested in the Los Angeles cityscape. She depicts the city's sprawl as an abstraction, and she fills her scenes with different colors that extend across her compositions. In her early paintings...
In Post Traumatic Slave Syndrome: America's Legacy of Enduring Injury and Healing (2005), Dr. Joy DeGruy writes “Although slavery has long been a part of human history, American chattel slavery represents a case of human trauma incomparable in scope, duration and...
Silke Otto-Knapp’s paintings of cascading, roaming bodies feel as if they washed up on the shores of my mind like sedimentary particles— suspended and unsettled bits of matter that float and sink. Memories behave like mollusks, secreting trails of life, fading traces...
Los Angeles-based filmmakers John Cannizzaro, and New York-based Stuart Fordyce, presented two short films on May 18th at The Electric Lodge in Venice. Both films, one an experimental work composed of found footage and the other a documentary short, explore the...
The long, unlikely, and utterly genuine friendship between two artists—conceptualist cross-platform tragicomedian Jeffrey Vallance, and painter of wildly popular cottage-core idylls Thomas Kinkade—is commemorated in "Kinkadian La-Z-Boy Room," a new exhibition by...
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