One could argue that the buddy cop genre has been with us since well before In the Heat of the Night; that it's among the prototypical literary genres. With the birth of science fiction (Journey to the Center of the Earth) and horror (Dracula), came the original buddy...
Dean Monogenis destroyed nine paintings putting them on display in a work entitled Black Hole. Feeling the need to purge, Monogenis selected older pieces from the gallery's inventory and cut them into strips to be fed into a wood chipper. He then collected the sawdust...
While abstract art often begins with inspiration and develops spontaneously, Lawrence Fodor approaches his canvasses in a different manner, basing his paintings on historic works. Loosely connected to abstract expressionism, Fodor works in a style in which...
Minimalism is alive and well in Southern California. In tandem with the current exhibition of historic California Hard-Edge painter John McLaughlin’s work at LACMA, preceded by their well-received Agnes Martin retrospective, Scot Heywood’s new works on view at Peter...
Daniel Pitín's paintings allegorize the uneasy tension between our mortal individuality and the cold cardboard abyss of the computerized world. Most works in his current show depict inchoate figures merging into geometric multi-planar forms. These unclassifiable,...
Cole Case is a man obsessed with: airplanes, the night sky, palm trees, runways, depopulated public spaces and his own private plethora of nostalgic memorabilia. Armed with these iconographic signifiers, Case, in his second solo exhibition with Chimento Contemporary,...
"Creature" springs from the same Latin root as creation, yet the two conjure polarities. The former suggests a beast, a lower animal, or if human then a distinctly lower form of human; a savage, a bestial Mr. Hyde. The latter implies a divine force, a desire or idea...
Artist-run gallery spaces perform a unique balancing act. They offer less established artists the chance to refine the nuances of exhibiting work, develop a reputation for reliability, court the other gallerists and curators, and occasionally receive feedback. They’re...
Gisela Colon’s “HYPER-MINIMAL” is a psychedelic futurist’s dream come true. The spacious Diane Rosenstein gallery is divided into a handful of rooms displaying fifteen new works. The works include two freestanding pieces, one of which is the Untitled (Monolith Silver)...
The relevancy of “Complejo de Cristo y Vampiros,” Carlos Ramirez’s first solo show at New Image Art, couldn’t be timelier given our new president’s executive orders on immigration. The American-born, Chicano artist and member of the artistic duo, The Date Farmers,...
Brendan Fowler is interested in the relationship between photography and material culture, and his works transform photographic images into something unexpected. He is best known for his "crash piece" series (exhibited at MOMA in New Photography 2013), in which he...
Lena Wolek's "Arbitraitor's Clauset" is clever in title and use of space. Arriving at her installation in the diminutive exhibition chamber misleadingly named "Egyptian Art & Antiques" feels like discovering a child's toy-room in a nondescript Beverly Hills office...
The graffiti artist John Crash Matos, known simply as Crash, started spray-painting buildings and trains in New York City in his early teens. Before long, he transitioned to showing in galleries. Although he may not be as renowned as colleagues Shepard Fairey or Barry...
In Blair Saxon-Hill's installation to no ending except ourselves (2016), wall and floor based sculptures fashioned from discarded and broken materials come to life. Making art from found objects is nothing new and while Saxon-Hill's works pay homage both to outsider...
Jordan Sullivan’s “The Divine Nothing” is clearly an indulgence in color and aesthetics, and it isn’t a bad thing. Sullivan’s work is strikingly painterly. The large format C-prints appear more like washes of watercolors than photographs, with their blissfully...
“Nkame,” the Belkis Ayón retrospective at the Fowler Museum, comprised of 43 collography prints, is about the Abakuá, an all-male secret society in Havana, formed by a group of slaves from southern Nigeria. However, there is another layer in Ayón’s body of work.The...
Currently on display at Culver City’s Anat Ebgi gallery are the familiar, yet intriguing color field paintings of Texas-born, New York-based mixed-media artist Ethan Cook. Taking inspiration from abstract painters such as Mark Rothko and Agnes Martin, here Cook delves...
Simone Leigh’s small but impactful show of new work at the Hammer Museum probes the construction of the black female subject within the historical context of the African diaspora. Her aesthetic influences are culled from traditional African and Caribbean visual art...
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