There is something delicious about the commingling of delight and horror, or really any opposition of sensations pushed to their extremes: confectionary sweetness with an aftertaste on the wrong side of savory—the foreshadowing of decay; the sweetness of...
Positing achievements in the decorative arts as a viable window into any culture’s zeitgeist, Lari Pittman takes his flair for generating psychosocial motifs to a genuinely exciting new place in his latest collection. As the exhibition title hints, the installation...
"Secrets for the Moon" at University of La Verne's Harris Gallery unites two artists, Ichiro Irie and Lorenzo Hurtado Segovia. Each employs quotidian materials to create totemic artworks in meditation upon his personal history and cultural roots. Both Irie and Hurtado...
There she is, as if alive. She is haunting and haunted; a Hollywood Miss Havisham in her crumbling mansion. She was once a real person, a somebody, a fond recollection. But now gone gray in her decaying cinema—with seating just for one—she resurrects herself nightly...
Three abstract painters converge like an artistic Venn diagram in "Intersecting at the Edge" at the Claremont Museum of Art, where paintings by the late Karl Benjamin, a principal figure of the California Hard-edge painting movement, are displayed alongside...
The practice of selling art presumes severability. To sell a work from the white walls of a studio or gallery promises a degree of independence: this piece will appeal in another room, at another time. In this way a gallery is an anti-ecology. Its elements do not...
Wobbly hot pink letters pasted above the threshold of the interior gallery of Walter Maciel spell "Short Stories," the title of Greg Mocilnikar's exhibition. Appearing more like a literary heading than the title of an art exhibition, this seemingly minor gesture sets...
Across a series of ethereal vignettes in Sophie von Hellermann’s new series, the petri dish operates as both a quirky formal motif and a sophisticated allegorical framework. Each of the mostly large-scale paintings (all acrylic on canvas, all 2018), display a picture...
Imagining an art object made entirely without thought and therefore completely physical is a fascinating exercise. On the other hand, trying to imagine as art something that was entirely wrought by thought without a physical trace (and therefore practice) is equally...
Fairies, pixies, anthropomorphic animals, porn actors, newspaper ads, strange symbols, beings from outer space, and leering mystics inhabit colorful, dissolute settings in mostly small-scale works on paper and canvas. These mixed media paintings and drawings by E’wao...
"Spotlight—Selections from Kehinde Wiley’s The World Stage: Israel" is small, but splendid. The exhibit attracts through its display of exuberant colors, masterful artistic skill, and political relevance. It consists of two large-scale paintings from Wiley’s “World...
Although it was once relatively straightforward, the relationship between what we refer to as “Nature” and its inverted mirror-image “Culture” has become complicated and problematic. Indeed, the “default position” in the argument as to their reciprocal relationship is...
Rafael Cardenas is known for his high-contrast, high-drama black and white street photography, but in “Backyard Tableaux,” his new exhibition at the Vincent Price Art Museum, his color photographs of quasi-urban backyard parties evoke the artistry of historical eras...
While uneven in impact, Columbian-born, British-educated Daniel Silva’s exhibition, “WE ARE EXPERIENCING SOME TURBULENCE – PLEASE STOW AWAY YOUR ELECTRONIC DEVICES LHR | HND | BOG | LAX,” remains impressive for the evocative three-dimensional works that the artist has...
Somewhere between the complex compositions of Cubism and Francis Bacon’s distorted imagery lies Nathaniel Mary Quinn’s distinct approach to portraiture. On view at M+B gallery, Quinn’s newest series looks to music as narrator. Aptly titled “Soundtrack,” the exhibition...
A faint odor of incense wafts amidst turquoise and indigo walls at Visitor Welcome Center, an artist-run gallery that seems especially inviting now for its present installation, “Middle Voice,” a homey interior outfitted by Sarita Dougherty with fellow collaborators...
Like many modern women, Marilyn Minter has a complicated relationship with beauty. Both her personal feelings and her luminous artworks are fraught with contempt and desire for the beauty-industrial complex, and animated by attraction and repulsion for our society’s...
The larger than life-size, amber toned image of the German artist Joseph Beuys appears to be marching out of the gallery, striding forward towards us. In a hand written note at his feet, La Rivoluzione Siamo Noi (1972) grandly decrees, “We are the revolution.” The...
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