Nobody is reading this. No sooner have I started to write a sentence than I’m plunged into bitterness and despair. Sitting down to write has become too great a test of my moral and spiritual strength: I am immediately mystified as to why it is so difficult to get my...
Publication in the Age of Negation, Part VIII
Our Bodies, Our Business More Fodder for Michele Pred in a Post-Roe Era
Oakland-based Swedish-American artist Michele Pred achieved notoriety in the early 2000s for her conceptual sculptural installations of items like Swiss Army knives and manicure scissors confiscated by airport security. Pred’s witty and dramatic work, with a strong...
Moon Raker Michelle Stuart's Conversation With Time
Monumentality is not the point of Michelle Stuart’s work. “Connection” doesn’t exactly sum it up either, although it’s always there. Transit or transition would be closer to it—although it would have to be understood within a post-Einsteinian view of the universe and...
Fire and Water The Beautiful Tragedies of Calida Rawles
In 2004 Calida Rawles moved from New York to Los Angeles, and she found an art scene brimming with life. Trained as an artist, she longed to become part of that world, and asked herself whether she would become a collector or a painter. She decided to give herself the...
Decorum and Decay Watching Astra Huimeng Wang Watching You
On a sweltering September afternoon, I visited artist Astra Huimeng Wang as she was in the final stages prepping for her first solo show of paintings at Make Room LA. Her studio is nestled above a discount clothing store in LA’s Fashion District, where crowded shop...
Keeping the Animal Alive Chasing the Ephemeral with Samuelle Richardson
Samuelle Richardson is a sculptural textile artist who began her career as a painter. Her painting itself evolved from studies in anatomy, for which she made 3D skeletal models. But by chance—or fate, when her painting studio became unavailable 10 years ago—she...
More Women Six Profiles
We can never cover all the deserving women artists in one issue, so in a modest gesture, we asked our writers to pitch a woman artist they’d like to champion in 200 words, to squeeze in just a few more. Gala Porras-Kim The sprawling, splintered and paradoxical...
Publication in the Age of Negation, Part VII Sex, Drugs and Bad Writing
I hadn’t sent the novel out in a while. In fact, I hadn’t sent it out in months. What was the point? Even if they loved it, they didn’t want it. At this point I was too dispirited to send the work out or describe the ensuing demoralization. But I needed to send it out...
OUTSIDE LA: Nicole Eisenman Fondation Vincent van Gogh Arles
It’s one thing to engage in a discourse about the influence of art historical movements on contemporary painters, and another still to analyze a particular artist’s specific set of influences, such as Nicole Eisenman’s robust relationship with the European...
Publication in the Age of Negation, Part V A Tiresome Outpouring of Fribbling Expatiations
I don’t know how to create the impression of time passing. But it passed, weeks passed by, during which nothing much happened. The sense of futility engendered by these dealings with the literary establishment hung over other potential undertakings. There didn’t seem...
Art Writer/Author Frances Colpitt Dies (1952–2022)
Frances Colpitt, renowned art historian, author, curator, feature writer and contributing editor for Art in America for over 20 years; teacher and mentor, died in her Fort Worth, TX, home September 12, 2022. Colpitt, who recently retired from her position as the...
Publication in the Age of Negation, Part IV Wasted Words
One sends out this precious, all too precious, closely guarded work to complete strangers: they might initially take an interest, but after being presented with the entire manuscript, they can’t be bothered to get back to you at all, not even with a brief cordial...
Beautyful Migrations The Diaspora According to Njideka Akunyili Crosby
Njideka Akunyili Crosby is having quite the year. Her figurative paintings are on the walls of esteemed museums and institutions across the country, often featuring portraits of herself, friends and family. Akunyili Crosby’s unique style consists of painted, drawn and...
Racial Reckoning Mark Steven Greenfield Illuminates the Black Experience
In 2020, Mark Steven Greenfield unveiled a new body of work, “Black Madonna,” followed by “HALO” in 2022, both at the William Turner Gallery in Santa Monica. Gallery owner William Turner told me in an email that the “Black Madonna” show was a natural progression of...
Let There Be Light Daniel Hawkins’ Desert Lighthouse Turns Five
“It looks like the unlicensed pot farms have ceased operations.” Daniel Hawkins is surveying the Mojave Desert landscape surrounding the hill on which he built a fully functioning 50-foot solar-powered lighthouse in 2017. Below us, an elaborate compound of white tents...
Layering Subjectivity Q&A with Zoe Walsh
Zoe Walsh is a Los Angeles–based painter originally from Washington D.C. They received their BA from Occidental College and Masters from Yale University. Represented by M+B Gallery, Walsh has exhibited their work in group shows around the world. In 2019, they were...
CHEECH MARIN’S NEXT MOVE An Explosion of Chicano Art in Riverside
How apt that the new Cheech Marin Museum for Chicano Art and Culture in Riverside, California should open in a repurposed public library. Libraries are historically accessible spaces for learning and intellectual research. Museums, on the other hand, still struggle to...
FALL 2022 PREVIEW HIGHLIGHTS
Get ready for the big 2022 Fall art season. This is traditionally the biggest show of any other time in the art world where most galleries put their best foot forward with their September and October exhibitions. We’ve selected a few highlights coming...