Articles
An austere flat horizon is blanketed by intensely blue sky and bracketed by the remnants of an orange window frame, its rectilinear quiet slyly evoking Rothko. Gauzy clouds, piled atop a low mountain, are seen Magritte-like, through a thick wooden square—maybe a...
“My name is called Disturbance,” as Mick Jagger sang in "Street Fighting Man," and as 2016 careened into 2017, many of us wondered where exactly we stood with respect to what beckoned immediately across the horizon and came to grips with an unsettling notion that we...
Melanie Pullen invites me into her sunny apartment as she cleans up from a party the night before, “This is why I left New York!” she says, gesturing to full-length windows with a sweeping view of Koreatown. “All this room!”Pullen’s enthusiasm for Los Angeles is apt,...
It’s worth considering why it’s so easy to caricature Donald Trump. He looks strange—with his fake tan, anus-like pout, signature comb-over—topped with a bright red, race-baiting ball cap. Like any President-to-be, he’s the focus of boundless criticism and ridicule,...
Mel Chin’s latest public art project in Los Angeles, The Tie that Binds: MIRROR of the FUTURE, was initiated last summer during CURRENT: LA Water, the city’s inaugural month-long Public Art Biennial presenting temporary large-scale artworks sited along the LA River...
Marc Horowitz has shifted in the past few years from his early work, bridging performance, social practice, entertainment and social media, into the more traditional practices of painting and sculpture. “Interior, Day (A Door Opens),” his show at Depart Foundation...
If you are familiar with Laurie Fendrich’s work, you know that the artist is a New York–based painter of vibrant geometric abstractions that strike a precarious balance between order and subterfuge. And you may have heard about her 2016 John Simon Guggenheim Memorial...
How do we put this? A Guy’s gotta paint! And the Guy who’s gotta paint has clearly gotta be obsessed about it! And maybe a few other things besides painting… like SEX! I mean a Guy’s gotta be inspired to paint! And then he’s gotta get through the stuff that fuels,...
When I first saw Lauren Halsey’s work-in-progress during her residency at the Studio Museum in Harlem, I was stupefied. The installation was genuinely a new experience, challenging my notion of visual and spatial aesthetics. It was exhilarating and puzzling, but...
The grassy plains of southern Missouri came into view as the plane prepared to land in Springfield, a small city on the edge of the Ozarks. I grew up in a much smaller town not far from there. Springfield was the big city where Mom took us to buy new school clothes....
I recently interviewed curator Rocío Aranda-Alvarado of New York’s El Museo del Barrio at the opening of Site Santa Fe’s current biennial, “Much Wider Than A Line.” Rocío was part of a team of five curators for this Site’s ongoing focus on contemporary art from the...
NYC VISUAL & PERFORMANCE ARTIST GUY RICHARDS SMIT The Grossmalerman! Show November 11, FRIDAY, 8 p.m. Ace Hotel Downtown LA 929 S Broadway, LA 90015 This is a free event held at Segovia Hall featuring Jibz Cameron (Dynasty Handbag) The contemporary art...
Jibz Cameron, the performance artist and poet of female panic who goes by the moniker Dynasty Handbag, is trying to make more user-friendly work. Cameron has made her name by staging wild and incandescent actions that make you feel excitedly deranged. In her 2015 show...
In his 2011 book Normal Life, law professor and trans-activist Dean Spade writes of the wide-ranging goals of trans-resistance, a political awakening that fights against such manifold systems of domination that its practitioners cannot focus unilaterally on sex,...
Ten. It’s our number for this issue as we enter our 10th year of publication. So we thought it would be fun to put together a batch of Top Ten Lists for the greater Los Angeles art world. Our contributors came up with categories and compiled lists of what they...
The downtown Los Angeles arts district has been evolving, somewhat in tandem with adjacent downtown districts, since at least the 1980s. There was a stabilizing shift at the turn of the century when SCI-Arc took over the old Santa Fe rail depot east of Alameda and...
With its third installment at the Hammer Museum, “Made in L.A.” has settled into its brand as a well-researched survey of current trends and practices in regional art. But there is never a “settling in” as far as expectations for a biennial, which raises the bar not...
Like Robert Mapplethorpe, who has had exhibitions at two LA museums this spring—the J. Paul Getty Museum and the Los Angeles County Museum of Art—Cindy Sherman is a difficult subject because the work is so well known already. The exhibition at The Broad museum does...
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