Articles
When I moved to San Francisco to begin college nearly a decade ago, the refrain from Scott McKenzie’s 1967 hippie anthem “San Francisco” rang through my ears, beckoning me to the city by the bay with dreams of “flowers in my hair,” but I quickly learned that much had...
The Reykjavík Festival at Walt Disney Concert Hall presents an opportunity to experience a site-specific installation by Icelandic artist Hrafnhildur Arnardóttir and a film by fellow Icelander Xárene Eskandar. The Festival brings up a larger question of cultural...
When Hannah Black wrote in her open letter to the Whitney Biennial curators “it is not acceptable for a white person to transmute Black suffering into profit and fun, though the practice has been normalized for a long time,” she did more than bolster a national debate...
It feels like last summer was a long time ago. What with a year filled with electoral rage politics, acquitted police shootings of black people, the withdrawal from the Paris Accord, the Wall, the reintroduction of the Mexico City Policy, the U.S. Departments of...
There’s a scene in Paul Greengrass’s 2007 film The Bourne Ultimatum when former CIA operative Jason Bourne/Matt Damon kills a Moroccan man named “Desh” using a book, what appear to be shampoo bottles, and a towel. The death match goes down in a Tangier apartment, and...
Click Here for Part 1. Art Star and painter Masami Teraoka conceived of a collaboration with Russian performance collective Pussy Riot. These words document their performance in Hawaii. THE NINTH WAVE The marketing of The Tempest was limited to an events...
Artist Masami Teraoka said, “Let’s make art!” and they did. Pure art rumbles, bubbles and springs forth, like the eruption of a magnificent geyser. As the plume spray drifts and evaporates in the wind, the beauty of the gesture is the impermanent purpose. A...
“Get off Bonnie Brae!” Chris Kraus shouts from the car speakerphone when I resort to calling her for directions. I’m lost in MacArthur Park, a neighborhood that borders downtown Los Angeles, looking for the writer/critic’s house. I wasn’t sure if Kraus raised her...
Can art hurt people? In mid-February, I sat in Boyle Heights’ El Tepeyac café across from a revolutionary named A. and probed him with questions in order to find out. A., a slim Latinx man wearing Elvis Costello glasses, belongs to the anti-gentrification group Defend...
It’s true what they say. You can’t go home again—even if home is a neon jungle. Even if you’ve remade that neon jungle into your own constantly morphing, expanding universe. Even if that jungle is based upon an ideal garden of your youth, into which you’ve sown every...
It used to be about the art. It used to be that seeing (and being told to step back from) a Picasso was enough. But, once again, millennials have ruined it for everyone. Simply admiring a statue is as anathema as simply watching a movie without simultaneously texting,...
“Yayoi Kusama: Infinity Mirrors” at the Hirshhorn Museum and Sculpture Garden in Washington, DC, is an ambitious show by any stretch of the imagination, boasting six of Kusama’s Infinity Mirror Rooms together with a selection of other work from the remarkable 65-year...
Desert X, we love the name of this art biennial out in the Coachella Valley—“X” as the unknown, the sexy, the je-ne-sais-quoi factor. There is something mysterious and alluring about the desert, with its sere, sparse, wide-open expanses and its promise of...
Jami Porter Lara stumbled upon both the subject and the medium of her current exhibition “Border Crossing” at the National Museum of Women in the Arts in Washington, D.C., while walking in the arroyos along the U.S./Mexico border in Arizona four years ago. Little did...
Most customers at Trader Joe’s have food on their minds. Not Ann Weber. While others grab favorite items off the shelves, the intrepid artist heads for the dumpsters. Perpetually on the lookout for cardboard boxes to transform into sculpture, she has an eye for...
This Spring, for the first time in the US, spectators can engage directly with the art and performance of the Berlin-based collective Rimini Protokoll (Helgard Kim Haug, Stefan Kaegi, and Daniel Wetzel) in City as Stage, a multidisciplinary work in two parts: 100%...
Maybe every gesture that you make can birth a fresh way of living. Perhaps by merely looking over your shoulder, or touching the ground, you can create a brand new philosophy or a radical break with reality. So argued the dancers in the Trisha Brown Dance Company at...
It’s cold. He looks even larger in his winter coat. He is a large man. Tall and broad-shouldered. In football, he might be a tight end; I’ve stood next to several players for the Bears. He would not seem out of place among such large men except that the hair on his...
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