Artist Masami Teraoka said, “Let’s make art!” and they did. Pure art rumbles, bubbles and springs forth, like the eruption of a magnificent geyser. As the plume spray drifts and evaporates in the wind, the beauty of the gesture is the impermanent purpose. A...
Chris Kraus: She Loved Dick
“Get off Bonnie Brae!” Chris Kraus shouts from the car speakerphone when I resort to calling her for directions. I’m lost in MacArthur Park, a neighborhood that borders downtown Los Angeles, looking for the writer/critic’s house. I wasn’t sure if Kraus raised her...
Culture Clash
Can art hurt people? In mid-February, I sat in Boyle Heights’ El Tepeyac café across from a revolutionary named A. and probed him with questions in order to find out. A., a slim Latinx man wearing Elvis Costello glasses, belongs to the anti-gentrification group Defend...
Jason Rhoades at Hauser & Wirth
It’s true what they say. You can’t go home again—even if home is a neon jungle. Even if you’ve remade that neon jungle into your own constantly morphing, expanding universe. Even if that jungle is based upon an ideal garden of your youth, into which you’ve sown every...
Luring Millennials into Museums
It used to be about the art. It used to be that seeing (and being told to step back from) a Picasso was enough. But, once again, millennials have ruined it for everyone. Simply admiring a statue is as anathema as simply watching a movie without simultaneously texting,...
Infinite Epiphany: Yayoi Kusama
“Yayoi Kusama: Infinity Mirrors” at the Hirshhorn Museum and Sculpture Garden in Washington, DC, is an ambitious show by any stretch of the imagination, boasting six of Kusama’s Infinity Mirror Rooms together with a selection of other work from the remarkable 65-year...
Coachella Hosts Desert X
Desert X, we love the name of this art biennial out in the Coachella Valley—“X” as the unknown, the sexy, the je-ne-sais-quoi factor. There is something mysterious and alluring about the desert, with its sere, sparse, wide-open expanses and its promise of...
Water Bottle as Contemporary Artifact
Jami Porter Lara stumbled upon both the subject and the medium of her current exhibition “Border Crossing” at the National Museum of Women in the Arts in Washington, D.C., while walking in the arroyos along the U.S./Mexico border in Arizona four years ago. Little did...
Cardboard Abstractions
Most customers at Trader Joe’s have food on their minds. Not Ann Weber. While others grab favorite items off the shelves, the intrepid artist heads for the dumpsters. Perpetually on the lookout for cardboard boxes to transform into sculpture, she has an eye for...
Who Will Eat Cake: Rimini Protokoll at MCASB
This Spring, for the first time in the US, spectators can engage directly with the art and performance of the Berlin-based collective Rimini Protokoll (Helgard Kim Haug, Stefan Kaegi, and Daniel Wetzel) in City as Stage, a multidisciplinary work in two parts: 100%...
The Trisha Brown Dance Company’s “In Plain Site”
Maybe every gesture that you make can birth a fresh way of living. Perhaps by merely looking over your shoulder, or touching the ground, you can create a brand new philosophy or a radical break with reality. So argued the dancers in the Trisha Brown Dance Company at...
The Many Shades of Kerry James Marshall
It’s cold. He looks even larger in his winter coat. He is a large man. Tall and broad-shouldered. In football, he might be a tight end; I’ve stood next to several players for the Bears. He would not seem out of place among such large men except that the hair on his...
We Don’t Need No Stinking Wall
If there is anybody more unpopular in Mexico at the moment than President Enrique Peña Nieto, it is, of course, Donald J. Trump. After a long list of aggressions, rudeness and even “jokes” by Trump, and in the middle of a big domestic crisis—both political and...
Ana Teresa Fernandez Paints it Away
Five years ago, San Francisco–based painter, sculptor and performance artist Ana Teresa Fernández woke from a long night’s sleep with a sudden inspiration: She would erase the border fence that divides the United States and Mexico. It was June, 2011. That October,...
Women on the Verge of a Cultural Breakthrough
Kim Abeles’ studio doesn’t have enough chairs, so we have to sit in the adjacent gallery space at the front entrance of the building. Even though it’s glaringly sunny outside, it’s freezing inside the space as attendees spill into the room and sit down on rolling...
Nan Goldin: Diving for Pearls
Nan Goldin, to borrow a phrase from her friend and fellow-artist David Wojnarowicz, has always lived and worked “close to the knives.” Her most recent published collection, Diving for Pearls, can only intensify our appreciation for her images of that pain and that...
The Water Bar is Open
A lot has changed over the last two years in the world of water. The high level of lead found in children living in Flint, Michigan—exposed by consuming and bathing in Flint River tap water—was brought to the nation’s attention. And last fall, over 10,000 Keystone...
Tony Conrad: Completely in the Present
Tony Conrad is one of the unlikeliest figures to be the subject of the kind of late-career historical recontextualization that authenticity-starved hipster youth have made their simulacral avant-garde. Don’t get me wrong. His bona fides are all in place; a pivotal...