In the earliest days of his unlikely, unfortunate campaign for president, billionaire Donald Trump declared in 2015: “Sadly, the American dream is dead,” adding special emphasis on the last word, delivering the bad news like a judge slamming down a gavel. As in many...
Summer of Love Redux
When I moved to San Francisco to begin college nearly a decade ago, the refrain from Scott McKenzie’s 1967 hippie anthem “San Francisco” rang through my ears, beckoning me to the city by the bay with dreams of “flowers in my hair,” but I quickly learned that much had...
Reykjavík in LA
The Reykjavík Festival at Walt Disney Concert Hall presents an opportunity to experience a site-specific installation by Icelandic artist Hrafnhildur Arnardóttir and a film by fellow Icelander Xárene Eskandar. The Festival brings up a larger question of cultural...
Now More Than Always
When Hannah Black wrote in her open letter to the Whitney Biennial curators “it is not acceptable for a white person to transmute Black suffering into profit and fun, though the practice has been normalized for a long time,” she did more than bolster a national debate...
Warhol Icon Happening
It feels like last summer was a long time ago. What with a year filled with electoral rage politics, acquitted police shootings of black people, the withdrawal from the Paris Accord, the Wall, the reintroduction of the Mexico City Policy, the U.S. Departments of...
Marisa Merz: The Sky is a Great Space
There’s a scene in Paul Greengrass’s 2007 film The Bourne Ultimatum when former CIA operative Jason Bourne/Matt Damon kills a Moroccan man named “Desh” using a book, what appear to be shampoo bottles, and a towel. The death match goes down in a Tangier apartment, and...
Pussy Riot Goes Hawaiian, Part 2
Click Here for Part 1. Art Star and painter Masami Teraoka conceived of a collaboration with Russian performance collective Pussy Riot. These words document their performance in Hawaii. THE NINTH WAVE The marketing of The Tempest was limited to an events...
Pussy Riot Goes Hawaiian
Artist Masami Teraoka said, “Let’s make art!” and they did. Pure art rumbles, bubbles and springs forth, like the eruption of a magnificent geyser. As the plume spray drifts and evaporates in the wind, the beauty of the gesture is the impermanent purpose. A...
Chris Kraus: She Loved Dick
“Get off Bonnie Brae!” Chris Kraus shouts from the car speakerphone when I resort to calling her for directions. I’m lost in MacArthur Park, a neighborhood that borders downtown Los Angeles, looking for the writer/critic’s house. I wasn’t sure if Kraus raised her...
Culture Clash
Can art hurt people? In mid-February, I sat in Boyle Heights’ El Tepeyac café across from a revolutionary named A. and probed him with questions in order to find out. A., a slim Latinx man wearing Elvis Costello glasses, belongs to the anti-gentrification group Defend...
Jason Rhoades at Hauser & Wirth
It’s true what they say. You can’t go home again—even if home is a neon jungle. Even if you’ve remade that neon jungle into your own constantly morphing, expanding universe. Even if that jungle is based upon an ideal garden of your youth, into which you’ve sown every...
Luring Millennials into Museums
It used to be about the art. It used to be that seeing (and being told to step back from) a Picasso was enough. But, once again, millennials have ruined it for everyone. Simply admiring a statue is as anathema as simply watching a movie without simultaneously texting,...
Infinite Epiphany: Yayoi Kusama
“Yayoi Kusama: Infinity Mirrors” at the Hirshhorn Museum and Sculpture Garden in Washington, DC, is an ambitious show by any stretch of the imagination, boasting six of Kusama’s Infinity Mirror Rooms together with a selection of other work from the remarkable 65-year...
Coachella Hosts Desert X
Desert X, we love the name of this art biennial out in the Coachella Valley—“X” as the unknown, the sexy, the je-ne-sais-quoi factor. There is something mysterious and alluring about the desert, with its sere, sparse, wide-open expanses and its promise of...
Water Bottle as Contemporary Artifact
Jami Porter Lara stumbled upon both the subject and the medium of her current exhibition “Border Crossing” at the National Museum of Women in the Arts in Washington, D.C., while walking in the arroyos along the U.S./Mexico border in Arizona four years ago. Little did...
Cardboard Abstractions
Most customers at Trader Joe’s have food on their minds. Not Ann Weber. While others grab favorite items off the shelves, the intrepid artist heads for the dumpsters. Perpetually on the lookout for cardboard boxes to transform into sculpture, she has an eye for...
Who Will Eat Cake: Rimini Protokoll at MCASB
This Spring, for the first time in the US, spectators can engage directly with the art and performance of the Berlin-based collective Rimini Protokoll (Helgard Kim Haug, Stefan Kaegi, and Daniel Wetzel) in City as Stage, a multidisciplinary work in two parts: 100%...
The Trisha Brown Dance Company’s “In Plain Site”
Maybe every gesture that you make can birth a fresh way of living. Perhaps by merely looking over your shoulder, or touching the ground, you can create a brand new philosophy or a radical break with reality. So argued the dancers in the Trisha Brown Dance Company at...