Articles
Master Architects of Southern California 1920–1940 by Marc Appleton, Stephen Gee and Bret Parsons 208 pages Angel City Press Regarding Paul R. Williams: A Photographer’s View by Janna Ireland 224 pages Angel City Press When Paul Revere Williams...
Post York Story and Art by James Romberger with additional material by Crosby Romberger 112 pages Dark Horse Comics/Berger Books “They somehow set fire to what was left of the East Side.” —POST YORK, p.86. The city had been ceded to climate change. It was...
The artistic legacies of Mexican Muralism remain imprinted on LA’s urban landscape, in faded residues on cracked concrete structures and sometimes peeking out from peeling layers of whitewash anti-graffiti paint. Throughout the 1970s, many artists in Southern...
The digital artist known as Beeple sold an NFT for $69 million in cyptocurrency at Christie’s auction in March, 2021. The media treated this grotesque sale as if it revolutionized the art world, but if we separate reality from the hysterical hype, it clearly has not....
In the midst of the Revolution of 1917, fiery Bolshevik Leon Trotsky warned members of the Menshevik party that their moderate methods in the revolutionary world would relegate them to history’s “dustbin.” In an ironic appropriation six decades later, Ronald Reagan...
To incarnate is to become embodied in form, and form follows function. From the outset of the year 2020, leadership at the Women’s Center for Creative Work began the task of expanding its physical form because they had had the good fortune of having outgrown their...
I met David Horvitz three years ago when he hand-delivered me an edamame plant he had been offering to his community via social media. Now, three years later, we meet again to conduct this interview in the garden he has been building. The garden in question is a...
Emily Barker (who uses they/them pronouns) is an artist and disability activist living in Los Angeles. They received their BFA from the School of the Art Institute of Chicago and have given talks at prestigious institutions including the Royal Academy of Art and UCLA....
Part I: Lana Del Rey Some claimed that Lana Del Rey’s 2017 song “Get Free” was a rip-off of Radiohead’s iconic and self-masturbatory indie ballad “Creep,” which led to a rather unhinged and masculinist lawsuit. It seems that for women artists, homage or...
The Virtual Care Lab (VCL), launched at the start of pandemic life, provides a digital community space for the wide-ranging interests of artists, disability activists and remote-togetherness enthusiasts to converge. Words like collectivity, togetherness,...
Like many of us, I have spent much of the past nine months or so huddled in front of my computer. One day, an email arrived that really caught my eye. It was from 8-bridges—an organization I had never heard of—inviting me to save...
Miami-based, internationally shown, multi-disciplinary artist Jillian Mayer is responsible for the “Slumpies,” an ongoing sculptural series designed for a theoretical space. Put crudely, the “Slumpie” is an object meant to facilitate a more comfortable...
What sort of working environment will the Los Angeles arts workforce return to once the worst of the COVID-19 pandemic is over? Or maybe a better question to ask is: How will we honor the skilled work of the preparators, installers, instructors, docents, assistants...
Peacock Blue wishes to clarify once and for all that her name has little to do with vegetable matter and even less with genitalia, yet imagine going through life mistaken either for soup or a pecker! Such is the fate of Peacock Blue, who’s spent a lifetime in the jest...
When Audrey Chan began at the American Civil Liberties Union of Southern California in October 2019 as their inaugural Artist in Residence, she and the flagship ACLU affiliate had envisioned the creation of a mural commemorating their centennial on their Los Angeles...
“Jesus, you know, it wasn’t supposed to happen like this. Even if it strikes me now as having been inevitable….” “I want to know what it will be like once all this (all this: the inexorable, the inexpressible) has become distant memory. I’ve always hated the way...
If one wanted to be very art historical about it, Math Bass’ work resembles Gustave Caillebotte’s The Floor Scrapers (1875) with its beautiful detritus and bones and dust and longing bodies and skin-as-paint-as-floor and new life emerging from every crevice. The...
In visiting Yasmine Nasser Diaz’ show, “soft powers” at Ochi Projects, I had the rich pleasure of speaking with the artist about her process, intimate spaces and how soft powers are not only a cause for hope, but are—and always have been—a female superpower. “Soft...
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