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A meandering sun-bleached trek forms the exterior presence of Wardell Milan’s exhibition adjacent to the recently completed art museum at the oldest of the seven Claremont Colleges—an academic plantation that sprawls over 500 acres and eagerly sends clever children...
Three movement artists—Maria Gillespie, Nguyên Nguyên and Kevin Williamson—are grandly projected on as many walls but revealed in divergent locations. The panoramic videos depicting the bodily trials of these artists in demanding landscapes envelop the 2800...
This edition of Pope.L’s thinning theatrics presents a series of immaculate white shacks, their size of a two-holer, containing a carpeted bench, where viewers may test the limitations of their endurance. An unsuspecting and luckless couple may sit together in one of...
Russian exile Lev Rukhin creates grand works of realism tinged with just enough peculiarity to suggest doubt. They are dreamlike—much of the imagery is suspended in a nimbus—and implies both memory and trickery. This device is quite intentional; the exhibition is...
The progress of his career has been a methodical march; carefully scripted, stubbornly stage-managed, and precisely choreographed—each subsequent exhibition enhancing the shudder of an already disconcerting thrum. The result of such a steady and painstaking pace has...
Commandeering a mere 180,000 square feet the of the Los Angeles Convention Center’s 760,000, the LA Art Show Modern + Contemporary, resurrected after last year’s COVID cancellation, offers a brief glimpse of the offerings of more than 80 galleries—foreign, domestic,...
There is a single painting that dominates this exhibition, a painting—if one can describe it so—of such singularity that it renders the other works as experiments, exercises, considerations. All are lesser and unworthy contenders. Its only and quite distant challenger...
Not front of house, with its symmetrically billeted art objects reflecting in its polished concrete floor, these rawboned works by HK Zamani are arrayed deep in the back, in a brick and concrete garage, its loading dock and ramp illumined by dangling warehouse...
Grief and Grievance: Art and Mourning in America, 2020 By Okwui Enwezor 264 pages Phaidon/New Museum, New York In a pivotal scene in Francis Ford Coppola’s film The Godfather a Mafia don grieves over the body of his dead son. “Look how they massacred my boy,”...
This exhibition is simply horrible: a catalog of horrors, a parade of barbarism made all the more wretched because we have become inured to atrocity, our attention spans irredeemably vaporous. It is both commonplace and theatrical, a fleetingly addictive...
Guggenheim Fellow and native Angeleno Todd Gray is a visual artist whose work is in the collections of MOCA, LACMA, the Whitney, and the Studio Museum in Harlem. While mostly photo-based he also presents performance works; that is how we first met and collaborated. We...
After German reunification the remains of the famously incinerated Reichstag were first Norman Fosterized, then draped by Christo and Jeanne-Claude, and finally repurposed as the Bundestag—the lower legislative body of German government roughly equivalent to the U.S....
No wonder your president has to be an actor. He's gotta look good on television. Emmett Lathrop "Doc" Brown, Ph.D. Back to the Future, 1985 It stands triumphantly—a voracious junkyard goat surmounting a catafalque of the written word, a bier of...
The path through this darkened labyrinth is reminiscent of the Haunted House; the viewer is made to follow a path through concocted fear toward anticipated relief. Chiron, Adelita Husni-Bey’s immersive environment, however, refuses to allow the visitor to leave so...
Inter Milan, an Italian football powerhouse, recently endured another racial incident. It is common for Italian fans, and other football teams’ supporters, to throw bananas at Black players on opposing teams. This latest insult, however, came not from fans but an...
After success and critical acclaim, Philip Guston somehow bravely abandoned his signature style. His transition from abstract expressionist to neo-expressionist (before there was such a category) was heretical. In ab-ex lockstep he had been part of the American...
It is not Genevieve Gaignard’s brazen truths, stinging though they are, but her subtle pricks that linger worryingly— Remember This House (2019) places a portrait of Ava Gardner (as well as other pale relations) on a family photo shelf, and a stuffed German Shepherd...
Before fashionable Londoners removed most of the iconic red phone boxes from their streets—and converted them into enviable shower cubicles—they functioned not only for telephonic missives but printed dispatches as well. Babysitters were sought, religious entreaties...
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