In 1987, the year his son Brady turned two, Abelardo Morell lay down on the nursery floor in order to see the world the way a wriggling baby would. From that vantage point he looked up at a stack of blocks towering over him as if it were a BCE column or stele, and he...
A Chip Off the Old Block
In many Japanese artistic traditions, from sword making to ceramics, creative techniques have been passed down from generation to generation. Some artists today can boast that they are the 15th generation of an artist family, tracing their roots to the 17th century....
Profile: Marisol Rendón
As I meandered through Marisol Rendón’s installation, “So, Dragons Do Exist?” at Luis De Jesus Los Angeles gallery last summer (this was before I had even glanced at the contrarian, almost self-negating parenthetical subtitle, “Considerations of the Unavoidable...
LONDON CALLING: Body Language
Painting is like the proverbial zombie. It’s supposed to be dead but it won’t lie down. The last 50 years in British art has been something of a paint-splattered war zone. Against the odds of prevailing abstraction, Pop and Conceptualism, painters such as Francis...
BOOKS: (Bed &) Breakfast with Lucian
There is a popular stereotype of the 20th-century artist as a hard-living bon vivant who lives to paint and leaves a trail of broken hearts. Most current versions this type have a brand to maintain. The last thing you can imagine such a person wanting is privacy....
PRIVATE EYE
Powerhouse Brooke Garber Neidich, scion of legendary Chicago jeweler Sidney Garber, inherited her father’s business in 2008, and most recently made a splash with the jeweled silver swallows Mary-Kate and Ashley Olsen sent down the runway with The Row’s Fall 2013...
Gallery Visit: GIVE US A SIGN!
Something special but virtually hidden exists here in SoCal, and it’s a reminder that visual art, despite the occasional headline-grabbing event, is essentially an underground activity operating on the margins of our society. The Pete and Susan Barrett Art Gallery of...
BUNKER VISION
Now that musicals are getting popular again, it’s a good time to revisit the work of Jacques Demy. Although he is considered part of the French new wave, most of his work owes more to Hollywood musicals and live-action fairy-tale films. His first musical (The...
RETROSPECT: Henri Rousseau
I heard a rumor that some artists went to visit Henri Rousseau and were shocked that he put one of his paintings on the floor for them to walk on because he didn’t have a rug. Was he naive? Crazy? Suffering from low self-esteem? It doesn’t matter. He was unique and so...
UNDER THE RADAR: Plastic is Fantastic Again
Lately, I’ve been thinking about the weird inversions of mainstream and underground culture, particularly as regards formats—the vinyl record for example. Talking with Rick and Joe Potts and Dennis Duck (all founding members of the Los Angeles Free Music Society) on...
The Museum of the Cold War
Since its inception in 2002 The Wende Museum’s corporate park location has had a discreet charm. The easy-to-miss suite is tucked behind a landscaped parking lot in a hive off Slauson in the former Fox Hills Mall— Culver City adjacent. Its charms unfold as you make...
Exile off the Strip: Dave Hickey
So like a few of you (not many more—which was wise—you really didn’t miss anything), I went down to the Grand Central Market at 3rd and Broadway downtown to hear Dave Hickey plug his latest, Pirates and Farmers, subtitled “Essays on Taste,” under MOCA’s auspices—which...
Massacre on 53rd Street
Well the axe has fallen once again on the magnificent American Folk Art building, designed by Tod Williams and Billie Tsien Architects. The structure is considered to be an architectural gem having won numerous awards including an American Institute of Architects...
Field Report: Berlin
Painted on a small particle board, screwed to a brick wall, above and behind which Berlin’s U-Bahn (here elevated) rumbles to and from its terminus, a figure of indeterminate sex holds a power drill to its head, the bit twirling out the opposite temple in a splash of...
RETROSPECT: Lou Reed
I was sitting in my car when I heard that Lou Reed had died. The announcer went on to say that although Reed was not as famous as the Beatles or the Eagles, blah, blah—I almost rear end the car in front of me. Not as famous as the milquetoast-I-Wanna-Hold-Your-Hand...
Master of the Mexican Silver Screen
There’s a scene early on in the film The Night of the Iguana (1964) where Richard Burton, playing a jaded ex-priest-turned-tour-guide in Mexico, asks the bus driver to stop on a bridge. The passengers—a group of American matrons—are puzzled. “What are we stopping...
Legendary Provocateur
“Chris Burden: Extreme Measures,” at New York’s New Museum is the artist’s first major exhibition in the U.S. in over 25 years. A legendary provocateur, Burden has challenged traditional concepts of art through his galvanizing performance pieces and later...
UNDER THE RADAR
In 1968, Beatle Paul McCartney approached Richard Hamilton, inventor of Pop Art, to design the cover for the follow-up LP to the game-changing Sgt. Pepper album of the previous year. Hamilton came up with a typically droll and elegant solution by taking the opposite...