Felix LA, the fair that for two years has run concurrently with Frieze LA, is once again at the Roosevelt from July 29 through August 1. This time it is going up without the auspices of the larger Frieze fair, which first delayed in February, then fully cancelled in...
The pair of shows on view at Gagosian, Frank Gehry’s “Spinning Tales” and Nancy Rubins’ “Fluid Space,” are as dissimilar as they are masterful. Two artists, whose works are to be found in the halls of major museums and on city...
John Knuth is a Los Angeles-based artist who recently had a solo show with Hollis Taggart Gallery in Southport, CT. His work explores how humanity and material and the natural world intersect and influence each other. “The Dawn” ran from May 15–July 3. MATT STROMBERG:...
During the last year, proximity became a defining characteristic of our daily lives. Geographic proximity limited our access to family, friends and resources, and ideological proximity determined the news we consumed, the information we shared and the concepts we...
The act of self-disclosure is an intentional revelation of one’s thoughts, emotions, and feelings to another individual; it is part confession and part declaration. The 11th Biennial Ontario Open Art Exhibition at the Ontario Museum of History and Art was an aesthetic...
“Sugar Houses” is another production that was stopped in its tracks last year by COVID, but fortunately REDCAT has managed to stage it as their first live production since the pandemic shutdown, if only for a week (July 8 -11). This kinetic piece of dance-theater is...
Her multilayered works encompass oil, watercolor, and collaged paper cut outs. The works exist in the Black Atlantis.
The gap between memory and history has never been more obvious than since the proliferation of photography. History presents a narrow view of our past: the highest achievements and the lowest atrocities – which can even be the same depending on the historian. What is...
L.A. sculptor Kenzi Shiokava died June 18 at age 82. His passing was announced by the Japanese American National Museum. JANM featured Shiokava's totemic wood sculptures in the 2017 Pacific Standard Time exhibition "Transpacific Borderlands: The Art of Japanese...
Red is the color of extremes, especially the Cadmium Red Deep of Lygia Pape’s posthumous show “Tupinambá” up at Hauser & Wirth, Los Angeles. The same red as both Valentine’s Day ornamentation and oxidized blood—red represents birth, seduction, war, death and a...
I feel like most people would have a tough time imagining something more ideologically opposed to art than data analytics. Even the phrase sounds unartistic, more at home in investment banking than gallery houses. Art just feels too subjective to be encapsulated by...
Make Room's new location in Hollywood is a private garden courtyard leading into two exhibition spaces. This space, on a balmy, LA-summer evening, infused with the ethereal charm of director Emilia Yin, leant an alluring hush on opening night and afforded the...
SUMMER READING: July-August 2021 Digital Special Edition Review Subscribe or Order to Get Your Copy Today Glitch Feminism: A Manifesto Reviewed by Pelumi Odubanjo A ‘glitch’ is often considered to be an error; a malfunction that appears to temporarily cause or...
Dear Reader, It is inexcusable to not be well read, mainly because it’s so easy to fix. Just read more! But who has time? Only recently, when a friend asked what book I was reading, I had to admit that all I’d been reading was art copy. He found that unacceptable and...
The New Normal We thought the world would end in fire, or possibly in ice. And now we know it can end with a virus. As a child growing up in Taiwan and then later in the US during the Cold War, I often imagined—and literally dreamed—how the world would end....
Salvador Dali has always had a troubled relationship with the Art World. His work embraced figurative representation during a century where deconstruction and reinvention were the mode du jour. His theatrics often upstaged his considerable talent. The amount of energy...
Grief and Grievance: Art and Mourning in America, 2020 By Okwui Enwezor 264 pages Phaidon/New Museum, New York In a pivotal scene in Francis Ford Coppola’s film The Godfather a Mafia don grieves over the body of his dead son. “Look how they massacred my boy,”...
No one ever “works” in Eric Rohmer’s movies—but they do read. By necessity, Rohmer’s setting is one of leisure, whether it’s the beaches of Biarritz or the shores of the French Riviera. His characters need ample time to read and to daydream, and for ennui, disturbed...
Subscribe to our weekly Gallery Rounds Newsletter for new Reviews, Art opps, Art Events, & More every week!