Leo Mock’s oil stick, oil and charcoal paintings are imaginative hybrids that distort the recognizable elements found in the natural landscape into something fantastic and surreal. Through six large-scale paintings, viewers are taken on a journey to an unknown world....
Leo Mock
Rosy Keyser parrasch heijnen
From an ultramarine field, a glyph emerges. It is the shape of something, human or animal, and it appears to pirouette in the center of the canvas. Drawing closer reveals other marks scratched into the surface of the blue, or small fragments embedded in the field. One...
Nari Ward Jeffrey Deitch, Los Angeles
Installation—often understood as the act of locating, positioning and inserting—has, in Nari Ward’s exhibition at Jeffrey Deitch gallery in Los Angeles, intersected with the examination of founding American democratic principles. This combination of past works and...
Nick Dong USC Pacific Asia Museum
In his kinetic objects and interactive environments, Nick Dong combines the simple, fractal serenity of Buddhist design with the quirky warmth of Victorian curio cabinets, as well as a refined yet theatrical sense of surprise. Across a handful of discrete objects and...
Mario Giacomelli The Getty
The very model for a great photographer in the post-World War II era was Henri Cartier-Bresson, a cosmopolitan heir to a fortune who was a co-founder of the photographic cooperative Magnum and traveled the world taking photographs with his hand-held Leica camera. His...
Dozie Kanu’s “to prop and ignore” Manual Arts, Los Angeles
The sculptures in Dozie Kanu’s first solo exhibition in Los Angeles flirt with functionality but refuse to reveal a clear purpose. Instead, these stylish hybrids possess the elegance of aspirational interior design and the subtle menace of dystopian relics. Many of...
Remarks on Color: Subterranean Smog September's Hue
Subterranean Smog is not one color or another, but a sickening miasma of grays, browns and a lingering smoky orange. Drawn from the bowels of the earth, SS identifies with the antihero -- Pig Pen in Charlie Brown, Sir Gawain, the Green Knight, Alex from a Clockwork...
R.I.P. Chuck Close Remembering the great self-portraitist
Almost all of Chuck Close’s paintings were based on photographs he took himself. In the mid-1980s, when I was a curator of photography at the Art Institute of Chicago, I contacted Close with the first museum proposal he had had to do an exhibition of the photographs....
Pick of the Week: Dysmorphia Maddox Gallery
It’s hard to imagine another time in my life when the word “home” will carry so much weight. The past year has redefined it for all of us. Home has become more vital than ever, yet home is more unstable than ever. Home is where we were told to stay, but home has been...
Phil Connell’s Jump, Darling (at OUTFEST Los Angeles) Making a creative life at the culture’s edge – Jump, Darling (Big Island Productions/2645850 Ontario/LevelFILM) - directed by Phil Connell
Identity evolution, struggles and troubled transitions are familiar themes and storylines in Outfest fare, and Phil Connell’s Jump, Darling (the U.S. release of which was delayed by the Covid-19 pandemic) fits neatly if slightly awkwardly into this category. What’s...
GALLERY ROUNDS: Leticia Maldonado Bermudez Projects
Neon is a medium that has been used over time to beckon, and Leticia Maldonado’s work viewed through the large glass windows of Bermudez Projects in Cypress Park does exactly that. Maldonado’s “Autonoetic” is a collection of mixed media that blends delicately thin...
GONE TO THE DOGS
“Ride on the street, man.” With difficulty, I attempted to maneuver my way around a young couple who, with their three dogs, were hogging the entire sidewalk. “I beg your pardon,” I said, as I cleared these five figures, who had only made the most minimal effort to...
Remarks on Color: Lachrymose Lemon August's Hue
Lachrymose Lemon cannot stop weeping. She sobs uncontrollably at everything all the time: the changing of the guards at Buckingham Palace, softball games, dinosaur conventions, the day her favorite chicken finally laid an egg. From the moment the sun rises to the last...
Pick of the Week: Andy Kolar Walter Maciel Gallery
Andy Kolar’s new show at Walter Maciel Gallery, “Head in the Clouds/Left Hanging,” is a play in three acts. Like any good play, and more so than most solo exhibitions, there is a vital rhythm and active plot – a cadence. And for good reason: Kolar’s exploration of...
OUTSIDE LA: Jennifer Packer "The Eye is Not Satisfied With Seeing" Serpentine South Gallery, London
We observe this unfolding in Packer’s paintings: intimate, cozy scenes of home life turn into majestic statements of Blackness, power, and vulnerability. There is something political about how dynamic these paintings are and how they challenge the conventions of portraiture painting. The paintings actively diverge from the authority and rigidness associated with classical portraiture.
GALLERY ROUNDS: Shoshana Wayne Gallery Group Exhibition "Above & Below"
Fans of Los Angeles' Craft Contemporary museum will enjoy Above & Below at Shoshana Wayne Gallery. The exhibition features twelve artists working in textile art, ranging from ethnic craft traditions to the wildly unconventional. The show marks the Los Angeles...
DOUG CHRISMAS ARRESTED AND CHARGED WITH EMBEZZLEMENT
Art dealer Douglas Chrismas, the former long-time owner of LA’s storied Ace Gallery, was arrested July 27, 2021 and charged with embezzling $260,000 from Ace Gallery’s bankruptcy estate. Chrismas pleaded not guilty and was released on $50,000 bond. He was spotted by a...
Susan Silton: WE at Luis De Jesus Los Angeles WE WILL BE SEEING IT DIFFERENTLY—ALWAYS: SUSAN SILTON’S MORPHOLOGY OF IMAGE AND WORD
“What are we looking at?” You hear that (usually rhetorical) question a lot in art galleries and design houses – also in accounting firms, screening rooms, at construction sites, and (really) business meetings of any kind – frequently spoken with some impatience. ...