Deliver to us, in JPEG form, a pair of artworks—one from before 1900 and one from anytime after—that have an interesting visual connection (that is: one any viewer can plainly see). Most interesting juxtaposition wins! Artillery will choose a winner from the entrants. That winner will receive a multi-slide carousel post on our Instagram feed and have their work appear, credited however you like....
The term “street photographer” comes with a certain set of associations: Street photographers work in public, snapping candid photos of commuters or loiterers at telling moments. They take photographs of strangers in the crowd from the perspective of a stranger themselves—an anonymous face among the anonymous masses. Perhaps the most common assumption about this class of artists is the one...
The first draft of this article was entirely different. It was a polemic. A scorched-earth condemnation of art. Ten thousand words. The next wave in a storied line of seismic criticism. As such, I titled it Towards a Number Laocoön (“number” as in more numb, not integer), referencing the ancient Greek sculpture of the suffering priest (Laocoön) who tried to sound the alarm on the Trojan horse,...
Our reporter on the ground works her way through this year’s labyrinthine fair with the help of its most visible symbol: The tote bag. The Printed Matter Art Book Fair goes high and low, and tote bags are its connective tissue. The fair provides a platform for established and emerging independent publishers, scrappy DIY zine makers, and vintage booksellers peddling archival objects. The tote bag...
Last year, I went through a phase of reading early aviation memoirs. The book that started me on this kick was Beryl Markham’s West with the Night, in which the British-Kenyan aviatrix writes about flying over the Sahara in the early 1900s, delivering supplies between remote desert outposts. What interested me about Markham’s adventures wasn’t the records she set (she completed the first...
Dear Dr. Trainwreck, I've been relatively successful as an artist, but still, I often feel less than. In a world that is becoming more inclusive and understanding of diversity, economic diversity is still somehow frowned upon. I grew up pretty poor in LA. I've had several friends decide not to introduce me to their higher-net-worth friends or collectors. They say that explicitly. I hate to make...
Artillery recently sat down with art collector and philanthropist Jordan D. Schnitzer during the opening of The Schnitzer Family Foundation’s “The Art of Food” exhibition currently on view at the Long Beach Museum of Art. Why Art? How do we deal in a world where we are constantly being told where to go, what to buy, and who to listen to, and then plied with misinformation? How do we maintain our...
Adopt a Highway Old world sadness meets modern shame on a melancholy walk along a dirty shore, where the beachfront properties are indistinguishable from public restrooms. As we step around fly-strewn masses of rotting seaweed and stare at the sun as it sinks behind the town’s famous rock, we fear that the seasons may have given up— but there is joy in forgetting the things we promised ourselves...
The seminal Jeffrey Deitch exhibition “Post Human” (presented in 1992 and reimagined in 2024) explored evolving concepts of identity in the digital era. “The Abstract Future” feels in some ways like its spiritual sequel. Brilliantly curated by Alia Dahl, the gallery’s...
In the shadow of social media, describing a nude portrait of a woman as “authentic” or “not performative” is often a subliminal way of acknowledging that the image has been composed according to an “alternative” set of stylistic constraints: soft, flattering lighting;...
Yang Fudong’s "Sparrow on the Sea" drifts like a fugue. Commissioned for the LED façade of M+ museum in Hong Kong, the silent, black-and-white film now plays in L.A. with full sound, anchored in a dream logic that warps memory and time. Three actors of different...
The wall text for “Don Bachardy: A Life in Portraits”—an exhibition at The Huntington featuring over 100 drawings and paintings—asserts that Bachardy persisted in creating portraits during a time when art was more experimental and less representational. I felt that...
When we are small, adulthood comes to us in impressions: a staticky scene from a horror film, an overheard whisper. As adults, we see childhood memories through a similar film. “I Hear a New World” seamlessly weaves together these visions of curiosity and nostalgia....
When The Pit announced a show by the late ceramicist Viola Frey, it piqued my editorial interest. I myself first became aware of Frey when I began taking ceramics courses with other sculptors, who would often speak of her as a totemic influence on their practice and...
There is a moment in Lewis Carroll’s Through the Looking-Glass when the Unicorn says to Alice: "Well, now that we have seen each other…if you'll believe in me, I'll believe in you.” The private question of whether one sees themselves reflected in the art that is...
One of the performers—if “performer” is the right word—in The Mommy Leaks the Floor, a new work by Asher Hartman staged at New Theater Hollywood (May 16–25), is Pablo, a real-life infant, born earlier this year. Throughout the play, cradled in his mother’s arms on the...
The flattening of high and lowbrow imagery is certainly not new, indeed the painter Jason Fox has been mining this territory since the early 1990s. In his current show at David Kordansky Gallery, “Why Are You Sitting in the Dark?,” Fox refines his enigmatic...
This, remarkably enough, is Carolee Schneemann’s first solo exhibition in Los Angeles, six years after her passing. Schneemann may be late, but her show isn’t. It may indeed be a case of too little; the sparse hanging (8 wallworks and an installation) barely hints at...
