Jean-Michel Basquiat’s 1982 Untitled painting of a skull looks like a prison that can barely contain all the rage, anger and fierce memories that drive a person. Painted in graffiti style, it is young and barely controlled. You wonder how it is ever going to get...
Are you one of those people who have difficulty making clear-cut distinctions between your night(or day)mares and the actuality of your everyday life? (I am – especially when I’m running a fever.) Jim Shaw not only gets you; he’s created a sacred space for your...
It used to be about the art. It used to be that seeing (and being told to step back from) a Picasso was enough. But, once again, millennials have ruined it for everyone. Simply admiring a statue is as anathema as simply watching a movie without simultaneously texting,...
Mike Kelley Foundation for the Arts Eight recipients have just been named by the Mike Kelley Foundation for the Arts to receive their Artist Project Grants, totaling a hefty $319,000. The fortunate ones—Human Resources/356 S. Mission Rd.; The Industry; La Plaza de...
Yes sir, every Saturday, the Post magazine would come to our door and I would squeal silently with delight because on the cover was yet another Norman Rockwell painting and I got what the painting was saying. It was funny, but not like a Dick Tracy cartoon: It was...
Edward Burtynsky’s principal subject over the last decade or so has been the industrial landscape, or more specifically, large-scale, frequently aerial views of major industrial operations, grids, excavations, or industrial waste sites. The photographs in his current...
Welcome to the blog’s first curated online exhibition! The call for entries was for work that had been inspired by recent politics. I’ve selected 12 from the many responses I received. They represent a variety of media and include work that was meant to be overtly...
Half or more of the best new work in the last few years has been neither painting nor sculpture. —Donald Judd, Specific Objects 1965 When Donald Judd spoke of work that is a hybrid of painting and sculpture, one of the artists he was undoubtedly referring to was Frank...
Dear Readers Happy New Year! Last October I was invited to moderate a panel titled: “Is Art our Last Safe Place?” The general topic was whether art could be healing in times of war, poverty, starvation, overpopulation ...you know, all that stuff that just keeps...
Currently on display at Culver City’s Anat Ebgi gallery are the familiar, yet intriguing color field paintings of Texas-born, New York-based mixed-media artist Ethan Cook. Taking inspiration from abstract painters such as Mark Rothko and Agnes Martin, here Cook delves...
The greatest collection of art in the world may not be at the Met or the Louvre any longer. The secret vaults of the wealthiest collectors in the world may hold much more art than the top art museums, with the vast majority of it locked away in so-called freeports in...
Curated by critic Michael Duncan, this 15-year survey consisting of 40 mixed media works, paintings, textiles and sculptures was evocatively entitled “Tree. Lingam. Void.” The exhibition offered an in-depth look into the artist’s ongoing exploration of the collective...
I have a confession. At some point between Graduation and 2010 or 2011 (whenever he last recorded with Katy Perry), I lost track of Kanye West. Yes, of course I was peripherally aware of what he might be doing, whether in terms of his own planned record releases or...
Roughly a generation separates me from artist-curator Joshua Nathanson; but we clearly live in very similar moments in very similar cities. (My understanding is that he is based here in L.A., but he was born in Washington, D.C. and studied in New York prior to grad...
Long before I had a clue about art, or at least modern or contemporary art, my older brother and I would occasionally be dropped off at twin fantasylands on either side of Central Park that, to our five and six year-old brains, were like complementary sides of what...
The perfect day had been planned: visit the Getty Center in the afternoon to catch the Mapplethorpe show, then stay for the Chris Burden documentary, Burden, with a picnic sandwiched in between.Viewing the velvety Mapplethorpes became this rich and poignant...
Unlike Dante Gabriel Rossetti’s fascination with his models—whom he painted obsessively, much to the detriment of his painting—Robert Mapplethorpe’s photographs of Lisa Lyon show no signs of such frustration. Rossetti was like a man locked outside of a house to which...
The “death of painting” is frequently traced to the work and writing of Donald Judd. In 1965's “Specific Objects,” the same essay in which Judd outlined painting’s limitations—above all, its inherent illusionism—he even more forcefully predicted the death of...
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