Architectural critics have been quick to celebrate midcentury modern architects for their pointed sensitivity to a building’s environs, noting that it was this development more than any other that distinguished California modernism from other modernist movements. But...
Isabelle Lutterodt is the director of the Los Angeles Municipal Art Gallery. O’BRIEN: I know you started your activities as an artist but are now involved in administration and curation as the director of the Barnsdall Municipal Art Gallery. How did your life take...
The urgency of revisiting an archive is found in challenging its presumed objectivity and totalizing vision, thus exposing cracks, biased ideologies, contradictions and gaps to make way for fracturing, reinterpreting, enlarging or otherwise revising our understanding....
Perusing the 37 paintings by various Ghanaian artists in “Praise Portraits from Ghana: The Good, the Bad and the Ugly...!” feels like peering into an exotic parallel dimension of popular culture. At a glance, these depictions of mostly American actors, singers,...
Whitney Bedford’s landscapes and oceanic vistas were emotional, elusive, uncommon, sometimes based in story, or sweetly teetering on the verge of collapse. Her relationship to the paintings—and by extension ours—was both dualistic and deeply personal. Precisely drawn...
Tomashi Jackson’s new solo exhibition, Forever My Lady, is an exploration of propaganda, democracy and civil rights in the United States. Her collaged, sculptural objects combine elements from American and Greek elections—candidate signs, ballots, campaign buttons—and...
I Am Shelley DuVall frames the inimitable ‘80s actress as a queer icon, whose tragic life and captivating personality has always vacillated between human and extraterrestrial planes. The exhibition functions as a hybridized gallery/clothing store that also raises...
The first work one sees upon entering Jibade-Khalil Huffman’s solo exhibition at Anat Ebgi is a monochromatic print of the ocean—the hazy sky fading endlessly into the sea like a Rothko color field painting. The print offers a moment of reprieve, the calm before the...
Well known for creating full-size replicas of his dwelling spaces, South Korean artist Do Ho Suh has “moved in” at the Los Angeles County Museum of Art’s Resnick Pavilion. The installation, 348 West 22nd Street, is both ephemeral and immersive, a seemingly delicate...
The path through this darkened labyrinth is reminiscent of the Haunted House; the viewer is made to follow a path through concocted fear toward anticipated relief. Chiron, Adelita Husni-Bey’s immersive environment, however, refuses to allow the visitor to leave so...
Having been a curator of photography in a museum myself, I know that when a new department head is appointed at an institution with a long-standing collection, he or she has to make a statement with an exhibition exploring that collection in a way no one has before....
In thinking about the exhibition El Sueño Americano | The American Dream and Tom Kiefer's presentation of photographs of objects border patrol agents seized from migrants at the U.S. Mexico border in Arizona, it is difficult not to wonder about the formal presentation...
Farrah Karapetian's current show, "The Photograph is Always Now," is a touching rumination on the loss of her father, who died of cancer last year. Furthering her ongoing exploration of photography's potential for semi-fictionally recasting bygones into the present,...
Several weeks of cold rain and angry trade winds broke. At last, the balmy warm weather had been restored to the Hawaiian island of Oahu. The glorious outdoors beckoned, but many chose to fill the Doris Duke Theater of the Honolulu Museum of Art. Art star Mark...
A few weekends ago, Frieze LA (Feb. 14–16) led the LA Art Marathon, and I put on my walking shoes to get to three of them. Frieze itself was again in the white tent set up at Paramount Studios, this time with 75 galleries, plus 16 Projects in the Backlot. Even...
This post-Frieze weekend we were tired. It was raining, which all locals will know is a very valid reason to cancel all plans and have a date with your couch. Despite this rare but welcome excuse, the attendance at Ochi Projects’ group exhibition "Doesn’t Whine By...
Female Sensibility shows a lot of sense. Featuring works by LA-based artist Kirsten Stoltmann and NY-based Jennifer Sullivan, the exhibition highlights the difficulties of existing within gendered expectations and constraints, especially as a ‘woman artist.’ Though...
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