CURFEW
LACMA’s “In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art,” (through Sept. 9) starts with a gallery devoted to Siamak Filizadeh’s digital print series "Underground." This modern-day retelling of the reign of Naser al-Din Shah (r....
RETROSPECT
Most people just call it Heaven but actually the name of the painting is The Garden of Earthly Delights. In these three panels Bosch depicted the earth, as we know it. The first panel has a wise figure (possibly religious) introducing Earth to a calm, reasonable...
BUNKER VISION
Commerce imitates art. If you recently spent a small fortune to attend a cultural event in a desert locale, it probably contains DNA from a series of conceptual concerts that were staged in the Los Angeles area between 1983 and 1985. The organizer of these events was...
Dave & Jeff’s Wonderful Column Area
RECONNOITER
Anuradha Vikram is the artistic director of 18th Street Arts Center in Santa Monica, which is currently celebrating its 30th year. Vikram is also a senior lecturer in the MFA Social Pratice Area Emphasis at Otis College. One Googles your name, and the term...
ASK BABS
WHITE MALES NEED NOT APPLY Dear Babs, I am a Latina lesbian. My friend is a straight white male. What are the chances that either one of us will have our art judged on its own merits, which is all either of us wants? Would you suggest we show our art anonymously or...
COMICS: DEAD OR ALIVE
Harry Dodge
When does an exhibition title effectively amount to a viewer advisory? I’m not sure Harry Dodge would consider the title of his current show at JOAN gallery, “Works of Love,” an instance of this. It’s not in any sense a caution, and the titles of the individual works...
Asad Faulwell
Orientalist painting fantasies satirically intertwine with characters of anti-colonial resistance in “Les Femmes d’Alger,” Asad Faulwell’s ongoing portrait series recently exhibited at DENK. Drawing upon the rich legacies of Algerian War history, Islamic aesthetics...
Todd Gray
Mining one’s own archive—especially if you are Michael Jackson’s personal photographer—can become a fruitful catalyst for exploration. Todd Gray’s recent works, framed photographs that are collaged together to become in essence bas-relief sculptures, juxtapose images...
Cleon Peterson
The Seattle-born painter, sculptor and graphic designer Cleon Peterson has created a true battlefield experience with his new exhibit “Blood & Soil,” satirically making use of the 19th-century German slogan that expressed an idealization of racial identity and...
Sredstvo Kool
With relations between Russia and Western liberal democracies strained to the point of rupture, the rise of nationalistic fervor and anti-democratic forces on all sides, and notions of dissent and finding a viable way forward taking on greater urgency with each...
Eve Fowler
Gertrude Stein wrote in English, but in a way, Eve Fowler is acting as her translator. For the last decade at least, Fowler has been orienting her work across collage, photography, video and text-based practices in response to Stein’s oeuvre. The beguiling aluminum...
Stephen Prina
The Wilshire district gallery of Sprüth Magers is physically separated from a certain Southard’s Carwash in Galesburg, Illinois, by 1,969 miles. It is in this Los Angeles gallery directly across the street from the LACMA campus where the latest iteration of Stephen...
Michael Maxwell
In the mixed-media works of his exhibition “Neo-American Transcendental,” Michael Maxwell employs materials ranging from the prehistoric to the digital. Clay, natural mineral pigments, plant dyes, wheat paste, quartz crystal, silver and gold leaf, beeswax, encaustic,...
ON THE COVER
Reine Paradis is our cover artist in our September/October 2018 issue on Utopia. Paradis is interviewed by Christopher Michno on page 52 in our print edition and on our website.
Bamboo: Nature’s spirals, cosmic abstractions, and the long dress of eternity
In a city like Los Angeles, where there’s always some fresh starburst to occlude the starburst (or firestorm) that ignited only moments before, it’s easy to lose track of the treasures strewn in our path that will endure long after the firestorms have died down to...
