Subterranean Smog is not one color or another, but a sickening miasma of grays, browns and a lingering smoky orange. Drawn from the bowels of the earth, SS identifies with the antihero -- Pig Pen in Charlie Brown, Sir Gawain, the Green Knight, Alex from a Clockwork...
It’s hard to imagine another time in my life when the word “home” will carry so much weight. The past year has redefined it for all of us. Home has become more vital than ever, yet home is more unstable than ever. Home is where we were told to stay, but home has been...
Neon is a medium that has been used over time to beckon, and Leticia Maldonado’s work viewed through the large glass windows of Bermudez Projects in Cypress Park does exactly that. Maldonado’s “Autonoetic” is a collection of mixed media that blends delicately thin...
Andy Kolar’s new show at Walter Maciel Gallery, “Head in the Clouds/Left Hanging,” is a play in three acts. Like any good play, and more so than most solo exhibitions, there is a vital rhythm and active plot – a cadence. And for good reason: Kolar’s exploration of...
Fans of Los Angeles' Craft Contemporary museum will enjoy Above & Below at Shoshana Wayne Gallery. The exhibition features twelve artists working in textile art, ranging from ethnic craft traditions to the wildly unconventional. The show marks the Los Angeles...
This month, Shulamit Nazarian is putting on two shows. The larger group show, “Intersecting Selves,” is an exploration of the overlap and tension between body, identity, and art. Many of the works are notable, particularly Life (2021) by Amir H. Fallah, …for souls…for...
The pair of shows on view at Gagosian, Frank Gehry’s “Spinning Tales” and Nancy Rubins’ “Fluid Space,” are as dissimilar as they are masterful. Two artists, whose works are to be found in the halls of major museums and on city...
The act of self-disclosure is an intentional revelation of one’s thoughts, emotions, and feelings to another individual; it is part confession and part declaration. The 11th Biennial Ontario Open Art Exhibition at the Ontario Museum of History and Art was an aesthetic...
The gap between memory and history has never been more obvious than since the proliferation of photography. History presents a narrow view of our past: the highest achievements and the lowest atrocities – which can even be the same depending on the historian. What is...
L.A. sculptor Kenzi Shiokava died June 18 at age 82. His passing was announced by the Japanese American National Museum. JANM featured Shiokava's totemic wood sculptures in the 2017 Pacific Standard Time exhibition "Transpacific Borderlands: The Art of Japanese...
Red is the color of extremes, especially the Cadmium Red Deep of Lygia Pape’s posthumous show “Tupinambá” up at Hauser & Wirth, Los Angeles. The same red as both Valentine’s Day ornamentation and oxidized blood—red represents birth, seduction, war, death and a...
I feel like most people would have a tough time imagining something more ideologically opposed to art than data analytics. Even the phrase sounds unartistic, more at home in investment banking than gallery houses. Art just feels too subjective to be encapsulated by...
The New Normal We thought the world would end in fire, or possibly in ice. And now we know it can end with a virus. As a child growing up in Taiwan and then later in the US during the Cold War, I often imagined—and literally dreamed—how the world would end....
Billionaire Eli Broad, who passed away in April at 87, was a giant of philanthropy not just in the art world but also in education, medicine and science. He was among the top handful of cultural benefactors in Los Angeles...
Kacie is The Public. More specifically, she said it would be fair to describe her as “A woman who doesn’t closely follow the contemporary art scene but might go to a show this summer”. ARTILLERY: Are you excited about going to see art now that the lockdown has ended?...
While painting may, in most cases, operate within the mind alone, sculpture is intrinsically connected to the body. Sculpture itself has a certain corporeality. The works aren’t abstracted onto a wall, but rather exist in the world among us. We are forced to reckon...
Los Angeles is a city best seen at 30 miles per hour, when its squalor and splendor even out to create a neutral grandeur; it’s at the slower speeds that our angels’ dereliction becomes evident. Pedestrians know this and that’s why nobody walks in LA—like the Missing...
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