Almost exactly 10 years ago, one of my favorite (and certainly most improbable) curatorial projects was unleashed upon the world: Renee Fox, who was overseeing the development of the Beacon Arts Building in Inglewood (at least its cultural aspect) invited me to do...
To incarnate is to become embodied in form, and form follows function. From the outset of the year 2020, leadership at the Women’s Center for Creative Work began the task of expanding its physical form because they had had the good fortune of having outgrown their...
Emily Barker (who uses they/them pronouns) is an artist and disability activist living in Los Angeles. They received their BFA from the School of the Art Institute of Chicago and have given talks at prestigious institutions including the Royal Academy of Art and UCLA....
“Dude, Unmute Yourself” is a sprawling group exhibition of Shockboxx Gallery regulars that the pandemic-smart title reflects the need, particularly in these times, to speak out through art. A few highlights are in the backroom where Randi Matushevitz offers two...
We are in a time of global pause. A moment where everyone for the most part, is by mandate, confined to their interiors, forced into slower, humble domesticity; those with children are responsible for lessons, many are taking up culinary endeavors, and for the...
The Metropolitan Museum of Art reported on March 12th that, as a result of closing until July due to the ongoing coronavirus pandemic, they would take up to a $100 million loss and are considering the furlough or layoff of many of its staff members. This, for many in...
No wonder your president has to be an actor. He's gotta look good on television. Emmett Lathrop "Doc" Brown, Ph.D. Back to the Future, 1985 It stands triumphantly—a voracious junkyard goat surmounting a catafalque of the written word, a bier of...
Fast on the heels of Lari Pittman's most comprehensive solo exhibition in decades, which ran until January at the Hammer Museum in the artist’s hometown of Los Angeles, "Found Buried" is his first at New York City gallery Lehmann Maupin. The exhibition features a...
Currently on display at the Center of Contemporary Art in Santa Fe is the 30-year survey of Mark Spencer’s paintings. Entitled "Beings," this is a rare and all too brief opportunity to experience an important artist. Some artists' practice is to work slowly and...
Kathleen Ryan’s second solo show at François Ghebaly, "Bad Fruit," is a masterclass in contemporary object-making. In her massive fruit sculptures, the duality of decay and the cycle of life is on display as Ryan combines the industrial with the natural, the glamorous...
The repetitive quality of the overall patterns in the grids in Ave Pildas' show at Tufenkian Fine Arts create an almost animated effect, a little like standing in one place over a long period of time and blinking slowly. The different figures traverse the space that...
Red is a color that should never be messed with, diluted, bastardized, cross-pollinated or otherwise appropriated, which calls into question the reason the color oxblood exists at all. If you cut open the belly of an ox, would the seepage of viscera reveal this...
Editor's Note: In lieu of our usual reviews and gallery rounds, we will be running a special SHELTER-IN-PLACE series for the duration of social distancing. This series will focus on that which can be enjoyed from home: musings on stream-able films, online art, and...