Denouement Daffodil is a real downer and the first person to leave the party, proffering reasons like “I must go home and feed my guppies,” or “I can’t concentrate because my nose hairs are making me sneeze.” Always quick to wrap things up and never one for a winded...
The nuance of intimacy is the focal point of James Cherry's solo exhibition at NOON Projects. Entitled "Fraternal"—a nod to both Cherry being a twin and to relationships amongst men—the exhibition presents as an exploration of relationships, specifically queer ones,...
Dear Friends, It is with deep sorrow that we inform you that we lost Jim early on Monday morning, after a long illness. Jim’s last days were spent at peace with his family, and true to his character, he kept working until the very end, finishing a lengthy review of a...
Since its inception, Pussy Riot (Nadya Tolokonnikova, Maria Alyokhina, Yekaterina Samutsevich, et al.) made the balaclava a trademark, but I couldn’t help being reminded Friday night—at the demonstration-vernissage-performance of Nadya’s Pussy Riot Putin’s Ashes show at Jeffrey Deitch Los Angeles—that it also served an entirely utilitarian purpose as an essential mask or camouflage.
Alison Saar’s diasporic deities are gestures of remembrance that honor the resilience of Black women. Reconfiguring and reclaiming the image of the Sable Venus, Saar depicts a series of women as spiritually charged warriors that are full of agency. This reclamation is...
Sometime during one of those unremarkable post-Christmas pre-New Year’s days I was scrolling Instagram endlessly. In between sponsored health food ads, I came across an installation image of one Adam Higgins’ hyperreal salad paintings at Chris Sharp Gallery. My...
Captivated by the spiritual and vibrational aspects of the natural world, Agnes Pelton renders the invisible forces that surge through life. While Pelton is not the only artist included in LACMA's survey exhibition "Another World," she is the most compelling and...
Okay…so…we get notes. We get feedback. We hear the gossip, the suggestions of angry whispering from one corner or another. First of all– there’s more, there always is; and I’m happy to acknowledge and eager to share it all—or at least as much as I can get down...
Creating large-scale figurative watercolor works is somewhat unique in contemporary Los Angeles art. Lena Moross is an exception, painting evocative portraits and full figures in this format. “Forgive and Forget” is a beautiful numbered series of 13 works using a...
Thirteen modestly-sized paintings comprise Chicago based artist Brad Stumpf's exhibition Shadow Plays. The paintings are beautiful, personal and intimate. Formally, Stumpf combines thickly applied paint that defines spaces—walls, desks and objects—with more sparsely...
Brandon Ndife's practice is grounded in vital materiality that considers matter as lively and metamorphic, bound to forces and encounters that push and pull, tumbling ceaselessly into rambunctious states of transformation. Biomorphic clusters of industrial and...
Dear Reader, My social media intern recently sent me a text with an unmistakable degree of urgency. She stated that Chance the Rapper was trying to get in touch with me by Instagram message. “Who?” I replied. My assistant, being of the millennial generation, was not...
“We outside!” Chance the Rapper exclaims into his microphone. The sky is near black at maybe seven minutes after 8 p.m. in Downtown Los Angeles. Third weeknight of October. Chance had been and would be again, soon, rhyming his way through a song. The Chicago MC had...
The sun is rising over my home in Northeast Los Angeles as I call gallerist and curator Adenrele Sonariwo on Zoom. She answers me from her office in the bustling West African city of Lagos, Nigeria, where her day is already in full swing, crescendoing toward the...
I’m often asked which artist or artists interest me the most, or some variation of the question. For the last year-and-a-half since I saw her work in “Un/Common Proximity,” a group show at James Cohan in New York, my response has been Allana Clarke. Before this show,...
The dolls we grew up playing with weren’t just dolls—they were alter egos, surrogate friends and family, and sometimes even symbolic forces of the universe. In this beautifully designed book, Betye Saar: Black Doll Blues, we get a chance to look at Saar’s special...
Hello, Good-Bye: New Year for Hammer Museum Was 2022 a blur? It feels like it went by very quickly, too quickly, as we transitioned into the New Normal. People have returned to indoor dining, theaters are open and museums and art fairs are back—though some museums...
Jeffrey Vallance holds a unique position in the LA art world. A contemporary of Mike Kelley, Paul McCarthy, Jim Shaw, et al, his work has had a comparable impact locally and internationally, while not transitioning to the industrial fabrication mode demanded by the...
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