The Converge 45 biennial initiative exists to forge a regional, national, and international artistic discourse, and to intentionally center certain aspects of those conversations within the Pacific Northwest arts ecosystem. Showcasing some 50 local, national, and...
I’ve always found the word “gilded” to be slippery. On a literal level, it refers to the application of paper-thin sheets of gold leaf, a technique that’s been around for millennia. Not only does the process coat and protect ordinary materials like wood or stone, but...
Nobody walks in Los Angeles but ducking out of the overheated concrete jungle and into “Between past and present/ Between appearance and memory,”—Soumya Netrabile’s vivid exhibition of wildlife, texture, line and color at Anat Ebgi—may inspire the urge to lace up your...
The theatricality and malaise of machines characterized by abundance, repetition, necessity, error and expansion, come into full play in Analia Saban’s latest body of work, “Synthetic Self,” which is simultaneously exhibited at Sprüth Magers and Tanya Bonakdar...
One could see the LA-based artist Jesse Mockrin’s decision to name her first solo exhibition in New York City and at James Cohan—“The Venus Effect,” after the art historical term, motif, and visual effect—as itself a gesture towards acknowledging, even inviting...
This September, the Academy Museum opened its John Waters retrospective entitled “John Waters: Pope of Trash,” shortly followed by Waters' induction into the Hollywood Walk of Fame. The exhibit includes the glasses Mink Stole wore in Pink Flamingos (1972), costumes by...
Portraiture has been a constant in art-making since the waning Middle Ages, and really since art first appeared (though they wouldn’t have called it that), which may extend back into prehistory. I would further conjecture that such early art itself encompassed a kind...
It’s no secret, Gerald Ford could throw, and his famed football remembers him fondly, so singular and ever so brown, careening across the Michigan sky. He ran the country the way he assembled the field—one play at a time and always with the endgame in mind, but his...
With artificial flowers attached to motorized objects (such as massagers and exercise devices), Rachel Youn’s animated sculptures are hypnotic and strangely erotic, the rhythmic sounds of both the machines and the movements of the plants pulsating throughout the...
In Gladys Knight’s version of “The Way We Were” (1974), she sings, “Can it be that it was all so simple then; or has time rewritten every line; if we had the chance to do it all again, tell me, would we? Could we?” Upon viewing “Evita Tezeno: The Moments We Share Are...
“Jacket and Shadow and Jacket and Shadow and Jacket and Shadow,” Jasper Marsalis’ exhibition at Kristina Kite Gallery, directs me to hear its entirety with my body. The visitor is tasked with arriving and making contact with his process of transcoding a glitch-like...
At least once a week something happens to save my life. Usually it has something to do with some scientific discovery or biotech breakthrough that has managed to save, preserve or forestall further damage to some part of the biosphere. Or some reminder that nature...
In Erica Vincenzi’s intimate paintings of cropped images, the artist focuses on snippets of everyday life that may feel familiar to us, both in action and setting—two hands open a wine bottle, a blue dish rests on a kitchen counter—yet have a dreamy, mysterious...
In the rehearsed simplicity of “CLOSE, not too close” at David Zwirner, artist Rose Wylie grapples with Platonic ideals and the basic tools of semiotics. In both work on paper and oil on canvas, the artist depicts, again and again, important personal symbols....
Achieving a rich depth through numerous layers of thinned oil paint, Maja Ruznic creates vibrant, large-scale paintings that are both figurative and geometric, the flattened shapes of her almost patterned compositions reminiscent of Klee. With her subjects spanning...
In the entire time that I’ve lived in Los Angeles, I’ve never been interested in the goofy pomp and circumstance of granting entertainment celebrities a star on the Hollywood Walk of Fame, but this past Monday everything changed. The Pope of Trash, the Prince of Puke,...
Beat poet Allen Ginsberg often carried a camera with him so that he could memorialize his friendships in a photographic diary. From 1953-63, he spontaneously recorded times spent with an intimate entourage that included literary figures Jack Kerouac, William S....
Who has not asked oneself at some time or another: Should I disappear into the abyss or should I emerge and be seen? It’s a concern that is, at times, about recognizability and addressability, and if we are ready to situate our bodies which contain the raw materials...
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